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Sonnyboo Podcast - Directors Cut v. Special Edition
By: Peter John Ross on Jun 24, 2014 at 4:55:20 pm

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Videoguys Summer Update, June 2014
By: Gary Bettan on Jun 20, 2014 at 11:23:34 am

It's been a very busy year for us. We've seen a ton of new products introduced and we've picked up some new product lines. HP Workstations: The creative Pro's choice http://webvideoguys.com/hp-email.html Videoguys now offers HP z workstations! We've worked hard with the folks over at HP to put together some fantastic configurations at super price points. PLUS you can give us a call 800-323-2325 and we can custom configure the perfect Z workstation to meet your video editing and production needs and workflows! The creative pro’s choice for performance • Industry-leading performance: The HP Z820 offers the latest dual-processors, high-end...

videoguys

more Avid relinking online sequence thoughts --- metadata linking to essence --- metadata linking to metadata
By: Scott Freeman on Jun 8, 2014 at 1:11:52 pm

I am specifically looking for metadata relinking to essence and metadata relinking to metadata problems to solve. As of Media Composer|Symphony version 6.5 what metadata relinking essence elegance does one choose? Gear locking metadata to relink using a custom column. If Start timecode, duration, custom column, are a metadata match --->relink selected seems to be working. problems to solve Relink AMA clips to what were file import clips in a sequence: I am seeing with Version 7.0.4 of Avid Media Composer Symphony, I can use the relink selected command using a custom column with AMA master clips sources and with...

AMA

Filmmaker Jon Rosling’s “Five Pillars”
By: Bob Gillen on Jun 3, 2014 at 12:55:41 pm

In UK-based filmmaker Jon Rosling’s 2013 debut feature film Five Pillars, ex-soldier Darren returns from the war in Afghanistan to find himself disenfranchised by a society struggling to find its identity. Several critics commented that the societal topic is nothing new. I asked what impact he hoped to make with his film. Examining Themes About Life in England “Social realism films are not new in the UK, or any film market, to be honest,” says Rosling. “Some UK ones have made quite a few waves, Shane Meadows' This Is England being probably the most recent notable one. What I think...


scott freeman's art
By: Scott Freeman on Jun 1, 2014 at 1:39:15 pm

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art

Understanding the new Licensing Options of Avid Media Composer Software
By: Gary Bettan on May 22, 2014 at 11:17:24 am

At NAB2014 Avid announced that editors would now have several choices on how they can purchase Media Composer. Avid has now released the latest version (MC8.0) in all the new licensing options. Videoguys has put together a detailed FAQ with explainer videos to help you better understand your options. This blog post is intended as an overview to quickly help you understand the differences. The key differentiators between the various flavors of licensing is the included 3rd party and Avid software. All prices in this post are MSRP. Let's start with existing Avid Editors. If you already own a version...

Avid

Writer/Filmmaker Tina Mabry
By: Bob Gillen on May 21, 2014 at 8:41:02 pm

“Audiences will always connect with universal themes explored through the eyes of real people,” says writer and filmmaker Tina Mabry. “That’s why it’s important that I make sure I remain honest to the humanity of the characters I create.” Tina Mabry heads up the Los Angeles-based production company Morgan’s Mark. Mabry and creative/business partners Morgan Stiff and Lee V. Stiff have structured Morgan’s Mark as an independent production company and editing facility that “focuses on producing films that emphasize character, and an editing facility that focuses on quality over quantity.” The company’s recent films include Brooklyn’s Bridge to Jordan, Mississippi...


Snapshots…your trashcan, on steroids
By: Steve Modica on May 19, 2014 at 8:42:53 am

I have to admit, as an old time UNIX guy that's been around inodes, fsck and corrupted filesystems all my life, snapshots sounded a little too good to be true. The word was long known to me. Customers would say, "I took a snapshot of that disk so I could upgrade it and revert if I screwed something up." It's just that imaging a disk would take hours. You'd start the copy and go home for the night. These new snapshots (like those supported by ZFS) were instantaneous. One click and you would “instantly” have a new copy of your...

storage

The Purpose of Any Movie
By: Peter John Ross on May 18, 2014 at 7:42:33 pm

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Can Hollywood Still Make Good Movies?
By: Stu Brown on May 1, 2014 at 11:24:27 am

This is a repost of an article from my website nonlinearpost.com by my son, Royce. Your comments are welcome. With All the Computers, Can Hollywood Still Make Good Movies? By: Royce Brown This afternoon I was helping a few associates in their task of painting and building a movie set for a student project and inevitably the discussion fell to contemporary cinema and Hollywood marvels. One student mentioned (a director) that the recent film "The Artist" having won the Academy Award in its respective year, was in fact overrated. "A novelty film" he adequately put it. Not having seen the...

filmmaking

Indie Comics Guru Marcelo Lewin
By: Bob Gillen on Apr 28, 2014 at 3:29:47 pm

Marcelo Lewin’s website, IndieComicsTracker.com , covers the world of indie comics. Why indie? “Because Marvel DC already have enough help from their parent companies,” Lewin says. “Besides, in my mind, the really exciting stuff is coming out of the indie scene.” I asked Lewin how the core elements of story develop in the comic book genre. “I think the most important thing that writers should keep in mind when writing a comic,” says Lewin, “is that they can tell their story via not only words (the bubbles), but also working in conjunction with the illustrator visually.” READ MORE... Indie Comics...


Avid Symphony v6.5 - v7 / Resolve v9 - v10 | framerate independent metadata relink to essence by scott freeman
By: Scott Freeman on Apr 27, 2014 at 1:34:25 pm

Avid is a tapeless beast that I want to tame. Victorious. Here is a working step by step example of my workflow-solution using an Avid Symphony Online Sequence Metadata to relink to Resolve Video Essence with Handles using MXF media files. This is an example if the User used the Avid Symphony to create the mxf media files with handles and the user would like to color correct using Resolve and then finish the online edit in the Avid Symphony all with handles. In the Avid Symphony Version 6.5-7.0.3 --- As of 4-27-2014 ---, Material Exchange Format (MXF) Video file...

Blackmagic Design DaVinci Resolve

Videoguys' 2014 Update on Thunderbolt & Thunderbolt version 2
By: Gary Bettan on Apr 25, 2014 at 1:01:09 pm

We bring you up to date on all the latest Thunderbolt news, products and developments. This guide also includes our recommended configuration for a new iMac as well as our Thunderbolt Wish List for 2014. Thunderbolt was the new, high-speed, dual-protocol I/O technology designed by Intel and introduced by Apple a couple of years ago that was supposed to set the world on fire. So far it hasn't, but with the launch of the new Mac Pros, that may soon change. Thunderbolt delivers amazing performance, with ease & simplicity. Attaching blazing fast Thunderbolt enabled storage is a breeze. Thunderbolt gives...

thunderbolt

Director/Writer David L. Johnson
By: Bob Gillen on Apr 23, 2014 at 8:48:33 pm

“I’m looking for complicated characters dealing with complicated issues.” So says director/writer David L. Johnson when asked what he looks for in a script. Recognize a Story That Moves “Personally,” Johnson says, “I have no preference. I think a lot of directors get hung up on fitting into a genre, but the greatest directors have stepped out of their box on occasion. Although these experiments don't always equate to box office success, I think it's important to learn how to recognize a story that moves and to see the potential of what you as a director can bring to that...


Videoguys' Guide (with Video) to Avid Media Composer | Software
By: Gary Bettan on Apr 23, 2014 at 6:57:07 am

Avid Media Composer | Software is now available in 3 license types making it the perfect professional editing solution for everyone. One of the big announcements at NAB from Avid is that customers will have the choice to have Media Composer their way. You can still own a perpetual license that together with an annual support contract will entitle you to all upgrades, for free, during the support contract. With new monthly and annual Media Composer subscription options, customers can now gain access to the latest Media Composer toolset, support, and upgrades. They also announced a new Software floating licensing...

Avid

Sonnyboo Podcast - Making a Movie is like Building a House
By: Peter John Ross on Apr 22, 2014 at 9:38:38 pm

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Unexpected Disk Failures in Large Arrays
By: Tim Jones on Apr 21, 2014 at 1:37:07 pm

My team has recently gotten calls for help from a number of our customers who have relatively new disk arrays (not ours) where the disks are failing unexpectedly. I'll leave brands out of this discussion, but the average age of most of these arrays is less than 12 months. In each case where more than one array is in play, the failure seems to be most noticed in arrays of 12 drives or more compared to small, 4 drive arrays. We've been in touch with a few disk manufacturers and, while none of them have specific answers, one thought keeps...

DISK

THE STRUGGLE FOR 4K Ultra HD
By: Stu Brown on Apr 21, 2014 at 12:23:14 pm

THE STRUGGLE FOR 4K Ultra HD By Stu Brown Tech geeks love it. Cinematographers embrace it. Television manufacturers and Internet delivery systems promote it. Post houses try to ignore it. American broadcasters reject it. Studios well, um, will always find a way to profit from it before it becomes commonplace. Like the motion picture business, the content production process, and the way we receive content is changing. In addition, our viewing habits are changing as well. There was talk in the mid-nineties about a new digitized, computerized upstart that had the potential to replace film. Enter digital video. We have...

4k

Beyond the A's and B's of NAB
By: Kylee Wall on Apr 20, 2014 at 8:19:27 pm

There’s a whole big world out there in post-production-land, and most of it is pretty awesome. When I headed to the NAB Show last week(ish), part of my (personal) mission was to learn a little more about companies I didn’t know much about. Not just ask someone or read some Wikipedia stuff, but actually get to know what their missions are in post-production right now. I found that if I just went up to an industry peer and asked about Grass Valley, they’d give me a bit of “oh, they’re still around?” I mentioned to someone that I had just...

post production

#8 Welcome to the Low End
By: John Davidson on Apr 17, 2014 at 4:09:58 pm

Hi everyone. It's been over a year since we last made one of these walk through videos. There are many reasons we took so long. The first is that we've been too dang busy. The second is that it's pretty much impossible to feature the professional work we actually do in one of these as there are so many legal issues involved. Using a broadcast of cable show as part of a tutorial would basically get me sued into oblivion. I love to share our workflow - but not that much! In order to provide you with great walk through...

FCPX

Saying goodbye to a very special friend
By: Steve Modica on Apr 17, 2014 at 2:24:08 pm

Yesterday, I had to say goodbye to my dog Pete. He's been with me for almost 10 years and helped me raise my kids, chase all the deer away, and keep my house safe from squirrels and mailmen. He started feeling ill last week (while I was away at NAB) and this Friday, after several visits to the vet, we figured out it was a serious case of liver cancer, which was now causing significant pain. I thought I'd include my favorite picture of Pete, after falling asleep in the back of my truck on the way home from up...

dogs

What’s missing from today’s tech based editing
By: ron sussman on Apr 11, 2014 at 5:26:17 am

(this is a re-publish of a blog article I wrote for my personal web page) When I was starting out in post there was a clearly defined road one took to becoming an editor. These were the last few years of cutting film on a 35mm flatbed and my experience was limited to the commercial world verses the TV or feature world, but there were basic similarities to the path one took. To begin, lets jump forward to today. What does an assistant editor do in today’s computer based, digital editorial world? They have been relegated to the machine room...

Editing

NAB Day Whatever - New Perspectives on Old Business
By: Kylee Wall on Apr 10, 2014 at 3:58:32 pm

With the show wrapping up and my body shutting down, I've been thinking about the stuff I've seen and people I've talked to at this year's show. This is the first year I've been covering the show in a full on press capacity (meaning sitting down with a number of vendors to get the story straight from them) and it's been great fun. It's also offered another perspective to me as a show attendee, maybe the clearest one about the industry overall I've had so far.  This is my third NAB. My first year was a learning experience where I...

nab show

Sonnyboo Podcast - Promotion
By: Peter John Ross on Apr 8, 2014 at 9:20:19 am

...

promotion

NAB Day 1 - Throwbacks
By: Kylee Wall on Apr 8, 2014 at 8:15:23 am

The running gag on the show floor yesterday was a punchline to the effect of "AND we're releasing a camera!" If that kind of humor isn't your thing, then I can't really recommend you come to NAB for real. But even with all all the hooplah about new cameras and such, a couple things that stuck out to me today are throwbacks. The last few years in particular, I feel like there's been a push toward the nontraditional -- NLEs doing weird stuff that grumpy dudes hate, cameras turning into little boxes you can't actually handle, that kind of stuff....

nab show

NAB Pre-Show Buzz -- or lack thereof?
By: Kylee Wall on Apr 7, 2014 at 1:25:18 am

So yeah, if you haven't guessed by the articles you might have seen with my name on them or the NAB show guide and all that, I'm here in Vegas for my third NAB. My brain hasn't really caught up to the idea yet, so I've spent much of the weekend walking around in a daze. I think it's starting to settle in though, and just in time. No matter what tomorrow brings, I'll be on my feet a lot -- my poor feet that already have a blister. Damn you, shoes. I was at the convention center and other...

nab show

It's the Most Wonderful Time of the Year!
By: Dennis Kutchera on Apr 4, 2014 at 4:49:17 pm

For tech nerds like me, A week at NAB is like a trip to Disney World for a Kid. It's one thing to read about what's new or watch a video stream from the show floor, but there is nothing like being there and putting your hands on new and up-coming products. As a lover of all things post-production, this will be my main focus. I want to find the ultimate cost-effective, efficient and bug-free tapeless workflows for television post-production. But I may have to settle for 2 out of 3. Good is not always cheap. There is more to...

NAB 2014

Expert filmmaker builds online community
By: Adam Spiel on Apr 1, 2014 at 9:13:45 pm

Pioneering filmmaker Ryan Connolly shares his passion for Adobe video software After graduating from film school, Ryan Connolly started out in a fairly typical fashion: creating music videos and commercials for local clients. He then went on to run the video studio at PC game company Alienware. But rather than continue following the typical path of many aspiring filmmakers, Connolly came up with the idea to create Film Riot, an online show that would let him share how-to filmmaking tips, get feedback on his work, and ultimately build an audience and a community. Today, his renegade style has earned him...

Creative Cloud

Action DP Lawrence Ribeiro
By: Bob Gillen on Mar 31, 2014 at 11:34:18 am

“Every (action) shoot brings elements of uncertainty. For me, there are things I can do to increase certainty. And in the case of a rappel shoot, it was scouting. Going to the location a couple of times and looking at it with different light afforded me a strategy to approach the cliff.” Los Angeles-based action DP/camera operator Lawrence Ribeiro talks about shooting action, and about changes in the film industry. In a particularly challenging shoot, Ribeiro rappelled down a cliff to shoot a rock climber. READ MORE... Action DP Lawrence Ribeiro Republished by Bob Gillen...


Live Event Production: Part 1 - Planning
By: Mike Cohen on Mar 27, 2014 at 2:34:18 pm

Over the past couple of years I have taken on the role of Technical Director for the several large medical conferences that our company manages. AV, catering, CME, registration, on-site support and hotel logistics are all services that go into managing a medical conference. In addition we have an exhibit hall and sometimes off-site events. Thus I have gone from this: to this: When thinking about a live event, you have any of dozens of possible meanings: A Concert Product Launch Marketing Event Q+A (ie, Clinton Foundation / Davos type thing) Keynote talks (ie, TED talks) Corporate events Training /...

live event

Interactive video invention
By: Adam Spiel on Mar 27, 2014 at 2:01:12 pm

Powster creates striking user-interactive music video for Bombay Bicycle Club with Adobe Creative Cloud Powster is nothing if not innovative. The interactive and motion graphics company provides “over-the-top” content, concepts, and apps for the entertainment industry. Powster’s inspiring work has earned the firm multiple accolades, including Webby and FWA awards, and a designation as one of the few Facebook Preferred Marketing Developers. One of Powster’s latest endeavors is an interactive music video for the band Bombay Bicycle Club and their song Carry Me . Ste Thompson, founder and creative director of Powster, shares how the groundbreaking interactive music video came...

Creative Cloud

5 Things You Need to Know about Shared Storage
By: Steve Modica on Mar 26, 2014 at 7:13:21 am

1. Shared storage is becoming the norm. It's not a "hack" anymore that's used to skirt licenses or the need for more disks. Vendors are beginning to embrace it more and more, and the storage software and protocols are adapting. There's never been a better time to implement a shared storage solution. 2. 10Gb is being adopted very quickly. Small Tree has 10Gb ports built into its TitaniumZ systems and vendors are releasing inexpensive 10GbaseT Thunderbolt PODS now. So it's time to get up to speed with 4K codecs and start using 10Gb Ethernet. 3. Don't skimp on storage space....

storage

Devin Super Tramp achieves extreme YouTube success
By: Adam Spiel on Mar 25, 2014 at 11:46:23 am

Brilliant emerging filmmaker uses Adobe Creative Cloud to edit weekly videos for popular online channel Extreme sports videos are a hit on YouTube, but few think about the behind the scenes work that it takes to capture these daring events on film and share them with the world. Devin Graham, aka Devin Super Tramp on YouTube, knows firsthand. To stay one step ahead of extreme sports enthusiasts, he has paddled for hours through waves with camera gear in a dry bag, hiked through jungles, and braved extreme temperatures to capture shots that may last only a few seconds. The result?...

Creative Cloud

Where Passion Takes You as a Writer
By: Bob Gillen on Mar 24, 2014 at 8:54:32 pm

“The heart of an engaging story resides in the heart and mind of the person writing the story. It is passion and where that passion takes you as a writer.” So says Don Vasicek, the founder and owner of Olympus Films+, LLC, a global writing and filmmaking company. “This passion is reflected through the writer’s characters and the story. Each character, each location in the story, and each occurrence that takes place in, with and between the characters and in the story, should reflect that passion. READ MORE... Where Passion Takes You as a Writer Republished by Bob Gillen...


Thunderbolt Updates
By: Steve Modica on Mar 20, 2014 at 7:56:23 am

We’ve been working pretty hard on Thunderbolt products over the last few weeks and I thought I’d write up some of the interesting things we’ve implemented. I’m sure most of you are aware that Thunderbolt is an external, hotplug/unplug version of PCIE. Thunderbolt 1 provided a 4X PCIE bus along with an equivalent bus for graphics only. Thunderbolt 2 allows you to trunk those two busses for 8X PCIE performance. PCIE Pause This is a new feature of Thunderbolt designed to deal with the uncertainty of what a user may plug in. Normally, when a system boots up, all of...

networking

NAB MATTERS MORE THAN EVER!!
By: Steve Modica on Mar 18, 2014 at 11:03:40 am

1. The non-linear editing market (FCP, Avid etc) is changing rapidly. Avid was delisted, FCP supports NFS natively, Adobe is adding tons of new features (and a subscription model). More than ever, editors need to see what's out there and how people are using it. 2. Storage is changing rapidly. SSDs are becoming more and more common (and less and less pricy) and spinning disk vendors are consolidating. 3. Thunderbolt is here (and it appears that it's here to stay) and it offers new methods for connecting high bandwidth IO and video devices. Should you go big and buy a...

storage

NAB Show Guide to Thriving (instead of just surviving)
By: Kylee Wall on Mar 17, 2014 at 8:31:46 pm

The NAB Show again approaches and the various survival guides are being recycled into the Internet. I wasn't going to post one this year just because there are so many other completely comprehensive fully illustrated and hypertext marked up guides out there a Google search away. But I've gotten a number of requests to share my experience with newcomers again so I thought about it a bit, and I guess I do have something more to add to the conversation beyond just comfortable shoes and protein bars. Sure, it's obviously important to be physically prepared for the show. If you...

nab show

Adding a Video to PowerPoint
By: Richard Harrington on Mar 14, 2014 at 6:14:07 am

Shooting video is a lot easier and accessible than it used to be. Newer versions of PowerPoint are very compatible with most industry standard files, such as H.264, which is commonly used on most point and shoot and phone based devices. One of the cool things you can do in PowerPoint is also incorporate video pretty easily into your slide deck presentation. Video sometimes adds a nice unexpected element that your audience might not be anticipating. I will walk through how to add a video into your presentation in this course. Photos, Video, Charts and Shapes: Adding a Video To...


How to Get the GoPro In and Out of its Camera Case
By: Richard Harrington on Mar 12, 2014 at 6:14:00 am

It can be a little tricky opening the GoPro cases. Featured in this course are the GoPro3 and the GoPro3+. I will demonstrate how to properly open each of these cases. If you have one with you, feel free to follow along and open the cases as I open each of them. Getting to know the Camera: Removing the Camera from its Case To learn more, I’ve created an exciting new course called, Shooting with a GoPro Hero: Fundamentals for Lynda.com http://www.lynda.com/GoPro-tutorials/Removing-camera-from-its-case/160403/1 62029-4.html Got a GoPro? Nowadays most people either own one or have shot with one before. This course covers...


What is a Mirrorless Camera: DSLR Video Tips
By: Richard Harrington on Mar 10, 2014 at 6:14:00 am

On this week's DSLR Video Tips we'll explore mirrorless cameras. Have you ever worked with a mirrorless camera? When mirrorless cameras take the image it doesn't hit a mirror and bounce off like DSLR cameras. There are pros and cons to using these types of cameras. Join Robbie and I as we jump into the studio to do a live recording with musician, Jason Masi demoing three different mirrorless cameras. Check out the various shots, picture quality and perspective of these cameras. Discover the ability to completely be adaptable and flexible with all sorts of lenses from Nikon, to PL,...


Filmmaker follows up Sundance debut with showing at SXSW 2014
By: Adam Spiel on Mar 9, 2014 at 6:13:58 pm

Adobe After Effects and Photoshop help filmmaker represent analog content in digital format Jeffrey Radice came into filmmaking in a non-traditional way. He was working in I.T. and making a decent income when friends asked him to fund their moviemaking efforts. After producing two consecutive short films at the Sundance Film Festival, he decided to jump in and try his hand at directing. Ten years later, Radice found himself back at Sundance for his directorial debut with the feature film No No: A Dockumentary . A long-time Adobe software user, he’s now at SXSW, where the film is showing in...

Creative Cloud

Film and music converge on and off screen at SXSW 2014
By: Adam Spiel on Mar 7, 2014 at 11:41:46 am

Documentary on Stones Throw Records showing in Austin ahead of theatrical release Since 2009, Rob Bralver and Jeff Broadway of Gatling Pictures have worked together on documentary films that tell stories of social importance. Their latest project, OUR VINYL WEIGHS A TON (THIS IS STONES THROW RECORDS) , explores the history of Stones Throw Records, a record label committed to independence and artistic freedom. The film—featuring interviews with Kanye West, Snoop Dogg, Common, Questlove, Talib Kweli, Mike D (The Beastie Boys), and Tyler the Creator—premiered at the Los Angeles Film Festival in June 2013 and is now showing at SXSW...

Creative Cloud

Second film by Joel Potrykus premieres at SXSW 2014
By: Adam Spiel on Mar 6, 2014 at 11:38:08 am

Feature film Buzzard edited with Adobe Premiere Pro CC Premiering at SXSW 2014, Joel Potrykus’ film Buzzard purposely doesn't fit a particular genre. A follow on to his first film, Ape , the movie tracks a deadbeat check scammer through Detroit and is chock full of 1980s references—chugging Mountain Dew, Nintendo jokes, and heavy metal music. Brandon Bowman joined the production by chance, and shares his first experience working on a feature film and editing with Adobe Premiere Pro CC. Photo by Adam J. Minnick Adobe: How did you get involved with Buzzard ? Bowman: I live in Seattle, Washington...

Creative Cloud

Testing with Adobe Anywhere
By: Steve Modica on Mar 6, 2014 at 8:35:22 am

Small Tree has been working closely with Adobe to make sure our shared editing storage and networking products work reliably and smoothly with Adobe’s suite of content creation software. Since NAB 2013, we’ve worked closely with Adobe to improve interoperability and performance, and test new features to give our customers a better experience. Most recently, I had the chance to test out Adobe Anywhere in our shop in Minnesota. Adobe Anywhere is designed to let users edit content that might be stored in a high bandwidth codec, over a much slower connection link. Imagine having HD or 4K footage back...

storage

Setting Up Your Camera to Shoot Video
By: Richard Harrington on Mar 6, 2014 at 6:00:00 am

Have you ever wondered exactly which settings to choose to get the best video out of your DSLR or mirror less camera? In this video, I walk you through step by step and show you on cameras from Canon, Nikon, and Panasonic. You’ll learn how to get the videos in the right format for editing so tools like Photoshop can work with the files. Setting Up Your Camera to Shoot Video Republished by Richard Harrington...


Documentary on dam removal enjoys SXSW 2014 premiere
By: Adam Spiel on Mar 5, 2014 at 11:38:05 am

Adobe Premiere Pro workflow enables filmmakers to edit 90 minute film in REDCODE raw Directors Travis Rummel and Ben Knight have been making films together for 10 years. After starting out as still photographers with no real working knowledge of how to make films, they were inspired to try theirs hands at filmmaking by the Telluride Mountainfilm Festival. Their first short film about fly fishing and water rights focused on the Black Canyon of Colorado’s Gunnison River and was accepted into the festival. Since then, the duo has made several films together, the most recent of which is set to...

Creative Cloud

Using a Field Monitor for Video
By: Richard Harrington on Mar 5, 2014 at 7:19:00 am

AdoramaTV presents DSLR Video Skills with Rich Harrington. In this episode, Rich explores the benefits of using a field monitor to clearly see what your camera is shooting. Related Products: Flashpoint 7" LED Field Monitor, 1280×800 Resolution, 16:9 Aspect Ratio, HDMI Input/Output http://www.adorama.com/FPFVPRO1.html?... AJA HA5 HDMI to SDI/HD-SDI Video and Audio Converter http://www.adorama.com/AJHA5.html?ref... Using a Field Monitor for Video Republished by Richard Harrington...


“The Immortalists” selected for Documentary Feature Competition at SXSW 2014
By: Adam Spiel on Mar 4, 2014 at 11:31:14 am

Independent filmmakers create character-driven documentary about the pursuit of eternal youth Co-directors Jason Sussberg and David Alvarado met in Stanford University's Documentary Film and Video program. They worked on a few projects together and soon realized that they shared an interest in science and technology. After graduating with MFA degrees, they came together to make the documentary film The Immortalists about two scientists working to discover a cure for aging. Initially edited with Final Cut Pro, the team switched to Adobe Creative Cloud and Adobe Premiere Pro CC mid-production. Adobe: Did you always know you wanted to be filmmakers? Sussberg:...

Creative Cloud

Using Variable ND Filters for Video
By: Richard Harrington on Mar 4, 2014 at 6:00:00 am

AdoramaTV presents DSLR Video Skills with Rich Harrington. In this episode, Rich shows how you can dial in the perfect exposure using a variable ND filter. Related Products: Tiffen 77mm Variable Neutral Density ND Filter - 2 to 8 Stop Light Control http://www.adorama.com/TF77VND.html?r... Flashpoint 7" LED Field Monitor, 1280×800 Resolution, 16:9 Aspect Ratio, HDMI Input/Output http://www.adorama.com/FPFVPRO1.html?... Using Variable ND Filters for Video Republished by Richard Harrington...


SXSW 2014 marks North American premiere of “Evaporating Borders”
By: Adam Spiel on Mar 3, 2014 at 10:16:52 am

Documentary edited in Adobe Premiere Pro CC presents visual essay on immigration and identity Named one of 25 New Faces of Independent Film of 2013 by Filmmaker Magazine , Iva Radivojevic is set to premiere her first documentary feature at SXSW 2014. Radivojevic was born in Yugoslavia and moved to Cyprus with her family to escape the war. When she was 18, she came to the United States and has resided in New York City for the past 15 years. She returned to Cyprus to film her first feature-length film, Evaporating Borders , a five-part visual essay/feature film that explores...

Creative Cloud

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