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Oscar

Thunderbolt, rumors of a new version of Final Cut Pro, but I start with the first editing Oscar for Final Cut Pro.

Congrats to Kirk and Angus for recieving the Editing Oscar statuette for their work on The Social Network.

Shot with MX Reds, edited on FInal Cut Pro, the norm for Angus for the last few years, with DI by Michael Cioni at LightIron digital. This proves that FCP is no longer relegated to second class status. Yes, I know that Avid has ruled here, but it was nice to finally see a member of the FCP community on the Oscar stage,


on Wednesday, I will cover some of the ins and outs on the New Thunderbolt Technology that Intel and Apple have been working on for the last 3 years. This 10Gbps connection is set to forever change portable editing and onset data management.


Posted by: gary adcock on Feb 28, 2011 at 5:00:25 amComments (17) Oscar, Red



Join industry geek Gary Adcock as he explores the world and technology as it relates to Film and Video production. I am also a Glass artist, so I spend my free time creating art from silica and fire when I am not cooking.


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