|The Human in the Machine is a continuing series of interviews with industry professionals focused on the relational aspects of the editorial process. Blog pages and bookshelves everywhere are flooded with technical information on the craft of editing, but there seems to be little out there on the human side of it all. Even though much of our work is technical based, what is at the heart of it all is spending 10-15 hours a day locked in a room, usually with other people, creating stuff. What makes those other people come back to your edit suite instead of walking down the hall to the next one? Why do so many editors and directors reference a “psychic relationship” where they instinctively know how the other would proceed with an edit? Some of my questions don’t even pertain to editing alone, but all work that involves relationships and collaboration. I think, especially in school, so much of the curriculum is geared toward the tech side instead of the human side. As much as it doesn’t seem fair, a big part of this industry is not based on raw talent and knowledge but on politics, connections, and people skills. You can either fight this truth or decide to train those muscles with the same intensity that you train your technical skill set. Hopefully each of these interviews give you a better idea of how to approach this human side of the business and how to create the work relationships that keep clients coming back for more.|
Here is how Eric describes his road to the edit chair.
My love for film started as a young boy, sitting in an empty theater watching a final showing of the Star Wars’ re-release in southeastern Pennsylvania. Like many, it captured my imagination but I was too young to realize I could make a career of it. Decades later I left my job as a computer professional and relocated to Los Angeles. After many ups-and-downs in the film industry I discovered that picture editing was my passion; it was the perfect fit of everything I had ever done and imagined I could do. They say “timing is everything” and three years ago I got my chance to edit an independent film called Bedrooms which went on to win two Best Feature awards and recently aired on Showtime. My next project, LJE The Journey, was a Nigerian-American film which became one of Nigeria’s top grossing films of all time as well as winning awards for Best Editing and Best Feature. My current film is an urban music drama called Filly Brown and will be completed later this year.
View the full interview at http://coldpost.tv/human-machine-interview-3-editor-eric-brodeur/1395/
Bringing a little class back to the edit suite. It all started with a school assignment to make a commercial that spiraled out of control into an episode of COPS where the Pepsi Police took down a Coke ring. Years went by and I discovered video again in College in Cincinnati, where I stayed and started my career in post production. I have returned to the mountainous region of my forefathers and my future begins again. I am spending most of my waking moments on the lookout for any loose images that need to be put together in time and space with sound. I have a film editor's heart hidden within an advertising exoskeleton and I believe the cut is the greatest transition.