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Blu-ray and the Big Bag of Hurt; or, why no Blu-ray for me...again

When Steve Jobs called Blu-ray a big bag of hurt, he was being asked why the new MacBooks have no Blu-ray drives. His answer spoke to the cost of licensing the hardware. When his lieutenant Phil Schiller chimed in, HE was speaking about Blu-ray content when he said that the iTunes Store and Apple TV was the right way to deliver HD.


Steve knows how much a Blu-ray drive costs to license, so I'll take his word for it. I won't bust Phil too badly as an individual, because lordy knows he's not the only one to think that Blu-ray's launch will be impeded, if not altogether scrubbed, by digital downloads. I just think that downloads aren't the big story for HD delivery right now. I think the same thing that will prevent Blu-ray's speedy adoption is the same thing standing in the way of HD downloads catching on as quickly as they might.


Yes, I said "thing," not "things." There are plenty of market and technology forces standing in the way for the world at large worth talking about later, but for me, for now, there's only one obstacle standing in the way of me caring about Blu-ray or broadband delivery: my HD DVR.


Before the DVR, I was an early adopter of a whole lot of things. My first CD player cost $500 – a top loader! -- and that was one of the CHEAP ones. Like Blu-ray, the first sales were to "philes," in this case audiophiles. You could mostly only buy them in the kind of stores that sold receivers and amplifiers as separate components. Mine came from a store in Harvard Square, across from Needle in a Haystack, an entire store devoted to nothing buy phonograph needles. It wasn't a huge store, but I'm not kidding – NOTHING but needles. It was kind of eerie.


And back in 1983, $500 was real money.


I was also an early adopter of Laser Disk, which introduced a number of critical technologies to wide-ish scale (only 1% of the VHS market, but still) home use: widescreen aspect ratios, random access chapters, frame-by-frame viewing, surround-sound encoding including Dolby and THX, digital audio tracks that allowed things like commentaries and separate language tracks, director's cuts, significant bonus features, significant picture remastering, and of course, Disney picture disks.


(Without getting all dewy eyed about how much better a laserdisk in a good player looks and sounds than most DVDs, I'll simply observe that no DVD will ever be as neato as a Disney picture disk.)


There were related things I adopted early, including hand-made custom subwoofer cables, front-projection TV (had one of them big 3 CRT gun jobbies), and yep, DVR. That deserves a couple of blog entries by itself, and I'll get to 'em....but the bottom line very quickly became that there wasn't much point to watching TV without a DVR, and there was no way on green earth that we were even going to THINK about adopting HD until there was an HD DVD.


Fortunately, DirecTV came to the rescue with DirecTiVo, a co-branded box that did exactly what it sounds like it did: for $1000, plus $10/month for HD programming. Eek. A little painful, but hey, it was HD, the way we wanted, so we took a deep breath, did without heat that winter, and got what we wanted.


(I say "we" - my wife is every step along the way with all this. We loves us some HD.)


This means two things. One is that the absolutely very, very last thing that would keep my from adopting Blu-ray. I have the rest of my HD rig loaded for bear. I'm not holding my breath for players to drop below the "magical" $200 barrier.


More important for Blu-ray in our lives is that we've been watching HD movies since 2004. I'm getting more every week for the exact same price as SD cable, and using the DVR to watch when I want.


(Not at all a big deal, but something that I notice when I watch DVDs – I prefer the features and responsiveness of my DVR. I don't need chapter marks as much as I do to hop back a few seconds to hear something I missed. One button on the DVR, a pain on the DVD.)


I know there's going to be a lot more Blu-ray disks very quickly, but right now on my DVR, waiting for me to watch a couple more times before I move along are two of my favorites: Office Space and Lawrence of Arabia, neither of which is on Blu-ray. (If I was a better person, I might have put Lawrence of Arabia BEFORE Office Space. So I probably shouldn't mention South Park: Bigger, Longer, Uncut – should I?) I have no doubt they'll come to Blu-ray, but not before I'll have watched them a dozen times or more in HD.


The big Blu-ray news this month is James Bond. Well, I've seen all the ones I like – including my favorite, Casino Royale with Daniel Craig -- in HD plenty of times. (Daniel Craig is the best Bond by a longer distance than we have yet found a way to measure.) It's the highest-selling Blu-ray disk to date, although The Dark Knight debuts Tuesday and could easily surpass Casino Royale in its first week. I'll see it plenty of times, on my time, when it comes to my HD DVR for free in a few more months.



I've got precisely zero use for the Lord of the Rings books. I haven't gotten past the first dozen pages – sorry, I've tried, but I just can't. I laughed – hard – at anyone in my high school who read them. This put me off seeing the movies longer than I should have waited. My bad. As much as I came to love the movies in the theater (barring the multiple endings of the third), I place the deluxe editions of the DVDs – once you've included 3 commentaries and the two disks of documentaries) among the great achievements in the history of human artistic endeavor. I'm glad to be alive at the time they were released. (Yeah, really.) Not coming to Blu-ray before 2010 says Mr. Jackson. I'll have been seeing them in HD for maybe 5 years at that point. Will the extras that make the deluxe editions such a wonder all be remade as HD? Highly unlikely I think, and I watch those as often as I watch the movies.


Of course Peter will probably find enough extra goodies laying around to make the Blu-ray edition worth my while...but I'm having a hard time coming up with any reason to buy a Blu-ray player before then. Not that I'll necessarily do it then. But I'm waiting something to push me over the edge. Any suggestions? Because until you persuade me otherwise, I'm keeping Blu-ray in my big bag of ho-hum.




Posted by: Tim Wilson on Nov 25, 2008 at 9:20:40 am Comments (7) dvd, hd, movies, entertainment, technology, adobe, bluray, hd dvd

Russian Red Army Choir, part 2: Happy Together!

Our pals the Leningrad Cowboys teamed up with THEIR pals in the Red Army Choir for this outrageous version of the Turtles classic.

It's the only really essential performance from the concert they did together, but it really is essential viewing.

Less essential but still fun: 























(Metallica)






 


On Stairway to Heaven



The Choir pretty much only sings "Ooh, makes me wonder," but they sing it throughout that middle section. You can tune out after that...but not before, my friend.

So anyway, here's Happy Together.








Posted by: Tim Wilson on Apr 2, 2008 at 3:13:00 am Comments (0) adobe

Apple buying Adobe? Again.

Robert Cringely is one of the higher profile tech pundits, and like all pundits, is only barely credible based on predictions coming to pass.

But he brings up again the possibility of Apple buying Adobe

Actually, he says flat out it's going to happen. His reasons are a teensy bit more interesting this time, plus "inside sources," but I wasn't persuaded before and I'm not now.

He uses the Final Touch acquisition as an example of Apple's commitment to pro apps, and it is...but Final Touch wasn't a $36 billion purchase, as Adobe is likely to be. 

Another example he uses is just flat out wrong: "Of course content creation has been the heart of Apple's business ever since the original LaserWriter and the invention of desktop publishing...."

Sorry, try again. Apple didn't own any desktop publishing software. Clarisworks was interesting, but they killed it for good reason. It was a distaction from their core business of building computers and OSes.

Although Apple's core business is changing -- which Apple acknowledged when it dropped "Computer" from its name -- but look at how it's changing. 

The first big clue was QuickTime, which is still being used far far FAR more as a distribution and consumption platform than a creation platform. Seriously, QT is critical to us, but are there hundreds of millions of us? No. And the most compelling content being sold in the iTunes Music Store is sometimes only marginally created with QT at all. (I said sometimes.) And even there, the big money is in distribution and consumption.

iPods? Distribution and consumption.

The iPod/iTunes infrastructure is especially interesting to me. It used Mac users as a beta test before rolling it out to the whole world...which is frankly what non-Mac users comprise. Although Apple is growing far faster than the rest of the industry, it'll still be a while before it breaks out of single digit market share, and will likely never reach the heights Apple had before Mac.

(In fact, until stabilized at 3%-ish for a while, and starting a meaningful rise this year, Apple's market share has plummeted at least 90%. Discuss.)

My point here isn't primarily about market share, but about strategy: nobody, and I mean NOBODY, who's playing for keeps can do it on the Mac alone. (Sorry FCP.) Apple's iPod/iTunes business didn't change the world until the whole world could use it.

iPod. iTunes. Distribution. Consumption.

Not creation. You can barely use 'em to create anything.

Add iPhone to the mix: one-to-one distribution, if you will, on a massive scale. 

Look, I'm an idiot. I don't know a thing. But I only barely see Adobe fitting into this. Macromedia? Absolutely. I was among the thousands of people who thought Apple should have bought the whole company when they bought FCP from Macromedia. They could have gotten it for a song compared to what Adobe paid.

(Speaking of which, I believe that Adobe paid to be taken over by Macromedia -- the best money that Macromedia never spent. Discuss.)

I say that because Flash is a far bigger distribution platform than QuickTime, and because of its dynamic nature, is part of business infrastructure in ways that QT never will be. Websites are just the beginning. QT may never be useful in a database driven infrastructure. Flash is already being used as an actual driver interface in cars! 

So where does the rest of Adobe fit into this. Photoshop might seem like a big fish, but I've heard Adobe folks tell me that they see this as the most vulnerable app in the portfolio: being undercut by digital cameras, iPhoto, Aperture and the like. Those apps are forcing Adobe to change their game to meet Apple's challenge. So why buy it? Maybe to get at Pshop's science and medical business, but that's awfully niche-y.

After Effects? Meet Motion. Encore? Premiere? Encore? Buh-bye. Not that these don't all offer some superior aspects, but $36 billion?

After Flash, PDF is the other central Adobe technology...and Steve spent a full 45 minutes spanking Flash at the WWDC a couple of years ago. Included side-by-side comparisons of performance, image quality, the whole deal. Apple's flavor of PDF came out on top.

I think some of this was a shot over Adobe's bow: yes, PC has been your dominant platform for a decade, but leave Mac development behind at your peril. But how could he not have also been saying, we'd rather have you do this for us...but we can do it ourselves very, very easily.

Again, PDF has powerful features like built-in desktop sharing, video conferencing, etc. -- but I'm still waiting to see anything here that adds up to $36 billion.

Cringely says it will be announced this week. Do you? 


Posted by: Tim Wilson on Jan 14, 2008 at 6:12:04 am Comments (3) photoshop, flash, apple, adobe, itunes, macworld

Free Photoshop on the Web. Really. Premiere's already there.

I don't see everything coming. Not even close. But I saw this one. Google's Picasa has been offering online image editing for a while. It even supports .psd. So Adobe responds with free Photoshop on the web. Really? Yeah, really. I found Adobe CEO Bruce Chizen's conversation with c/net pretty invigorating. He makes it sound pretty obvious, actually: "If we offered a host-based version of Photoshop that's Photoshop-branded (and is) potentially better than Picasa, you'd probably go the Photoshop route because of your belief in the Photoshop brand and the quality associated with the brand," Chizen said. My favorite part of the story might be the next sentence: A Google representative was not immediately available for comment on Adobe's plans. No kidding. This one hit the news in a pretty big way because it's Photoshop. But I think a lot of us might have missed that Adobe launched Remix just yesterday, a stripped-down version of Premiere elements available free to Photobucket members. There's no way to export the video off the web, and Adobe clearly wants you to buy Elements instead. Dot: Adobe's application platform -- the platform that we in this industry care about at least as much as our OS, if not more. Dot: The web as a platform. Dot: Flash as the most dominant web application platform ever.... Dot: ...now owned by Adobe. I'm just connecting those dots. Sure, it's happening for consumer stuff first. But, hey, it took business the better part of a decade to figure out what to do with the web. We're just now seeing the first glimmerings of applications as we understand them being deployed on the web. Maybe we're another decade away from this meaning anything for us in the professional media creation world. I don't think so.

Posted by: Tim Wilson on Feb 28, 2007 at 4:20:24 pm Comments (0) photoshop, premiere pro, adobe, google, microsoft, web

Tim Wilson

Tim Wilson


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