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Richard Harrington's Blog

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Stylizing Skin Tones in Photoshop – UAP 248



Instructor Richard Harrington demonstrates techniques to stylizing skin tones in your photographs.

Be sure to also check out the new book – Understanding Adobe Photosho...

This post sponsored by iStockphotoSave 10%Get a Free Audio Track




Stylizing Skin Tones in Photoshop – UAP 248 Republished by Richard Harrington

Posted by: Richard Harrington on Jan 31, 2012 at 10:08:00 pm AdobePodcast
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Final Cut Pro X Update Released + FCP7 Project Converter

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Apple delivered on its promise of an update to Final Cut Pro X this morning. They released Final Cut Pro X v10.0.3 (Full Specs). The update fixes SEVERAL glaring gaps that users have been asking for.
The major features include:

  • Multicam editing with automatic syncs up to 64 angles
  • New chroma keying
  • Enhanced XML for interchange with third party apps that can include color grading and audio keyframes
  • A BETA driver for broadcast monitoring that supports Thunderbolt devices as well as PCIe cards.
  • Layered Photoshop graphics support
  • Manual media management with the ability to relink
Pricing:
  • The application still costs $299.99 (US) to new users.
  • The update is free from the Mac App Store
  • A 30-day free trial of Final Cut Pro X is available at www.apple.com/finalcutpro/trial.

Apple has also taken down their FCPX FAQ document (http://www.apple.com/finalcutpro/faq/) which is too bad. I liked the company communicating status on what was coming next.

7tox1

Third-Party News:
Intelligent Assistance releases 7toX for Final Cut Pro, a lightweight application for translating Final Cut Pro 7 projects to Final Cut Pro X.
The application sells in the Mac App Store for $9.99 (US). The application looks to rely on the new XML features released today in the free update.

  • 7toX for Final Cut Pro translates Final Cut Pro 7 Bins to Keyword Collections in Final Cut Pro X,
  • Converts Sequences to Compound Clips that can be browsed and edited.
  • Metadata and log notes from Final Cut Pro 7 are migrated to Final Cut Pro X.
  • Motion tab settings and keyframes are translated into equivalent parameters in Final Cut Pro X.
  • Layers from Photoshop files are properly preserved
  • More than 30 Transitions and 70 Filters are matched and applied — with detailed reporting in context in the Magnetic Timeline
  • 7toX also allows editors to migrate their Final Cut Pro 7 multicam projects to the latest version of Final Cut Pro X.

I have not been able to test the above, but I know this company well. This is a
HUGE accomplishment and I commend them. Apple, buy this code and put it into Final Cut Pro X. This fills in critical holes.
 

What's Next?
I am happy to see that many of the problems have been addressed. There is still work to do however.
  • Non-beta broadcast monitoring
  • The option to see a second window when working (I find it impossible to line up a 3 point edit with one window).
  • Ability to switch to a track-based timeline
  • Support for raw workflows
  • Support for several missing codecs

A great
detailed article from my friend Gary Adcock at Macworld Magazine





Posted by: Richard Harrington on Jan 31, 2012 at 7:43:41 am AppleVideo
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Adobe Tips & Flicks Event in DC on February 22

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Join Adobe, Government Video Magazine, and industry experts for a day of valuable information concluding with complimentary pre-release screening of the groundbreaking new film, Act of Valor. This event is targeted for those working in the government or military.

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Jacob Rosenberg, Director and CTO of Bandito Brothers will share his experience in the post production workflow and editorial process for
Act of Valor. The film Act of Valor straddles reality and fiction, military messaging, and entertainment. It features real life SEALs—not actors—strike scenes written by the SEALs themselves, and jarring live-fire footage.


This information-packed day will provide valuable knowledge you can use in all your work—from everyday government video projects to more complex productions. There will be something for government employees or contractors doing government work, followed by great entertainment. You can register here –
http://gov.adobeeventsonline.com/TipsAndFlick/2012/Feb22/registration.php?s....
Agenda
11:30 a.m. – 12:00 p.m.
Registration and Lunch

12:00 p.m. – 12:45 p.m.
Adobe Creative Suite®5.5 Production Premium: High Performance for a
New Generation

Colin Smith
Senior Solutions Consultant, Adobe

12:45 p.m. – 1:30 p.m.
Beautiful Graphics for Video Editors
Rich Harrington
CEO, RHED Pixel

1:30 p.m. – 1:45 p.m.
Software Raffle and Break

1:45 p.m. – 2:30 p.m.
Join the New Digital
Video Publishing Revolution

Jerry Silverman

Adobe Solutions Consultant

2:30 p.m. – 2:45 p.m.
Software Raffle and Break

2:45 p.m. – 3:45 p.m.
Mixing formats, frame-rates, and bullets in Act of Valor
Jacob Rosenberg
Director & CTO, Bandito Brothers

3:45 p.m. – 4:30 p.m.
All Star Panel Question and Answer
Jacob Rosenberg, Rich Harrington, Christina Clapp,
Editorial Director Video for New Bay Media, and Colin Smith.

4:30 p.m. – 4:45 p.m.
Popcorn and Snack Break

4:45 p.m. – 6:30 p.m.
Screening Act of Valor






Adobe Tips & Flicks Event in DC on February 22 Republished by Richard Harrington

Posted by: Richard Harrington on Jan 31, 2012 at 1:45:00 am AdobeBusinessVideo
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Fading a Filter in Photoshop – UAP 247



Instructor Richard Harrington teaches you how to extend the useful life of your filter collection in Photoshop CS5.

Be sure to also check out the new book – Understanding Adobe Photosho...

This post sponsored by iStockphotoSave 10%Get a Free Audio Track



Fading a Filter in Photoshop – UAP 247 Republished by Richard Harrington

Posted by: Richard Harrington on Jan 29, 2012 at 10:08:00 pm AdobePodcast
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Meet Sydnee – The iPad Accessory Even My Wife Approves Of

sydnee1

I just got back from Macworld Expo in San Francisco. While there, I came across this device from Kanex – Sydnee (http://www.kanexlive.com/sydnee). It's essentially an iPad charger for a family or small office.

With one plug in the wall, you can set up to three iPads (or other iOS devices). You also can plug in a fourth device. You can keep things nice and neat without having a total cable nest in your family room. The system will auto-detect when devices are charged and then shut off the individual port (while other devices keep charging as needed).

sydnee2

The device is supposed to start shipping in March (at least according to the booth person I talked to). You can sign up for early info on the product's page. It's list for $149 at this time.







Posted by: Richard Harrington on Jan 29, 2012 at 1:45:37 pm AppleGear
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Publishing a Video to Facebook

Ch12_16

Facebook is the most popular social networking site in the world. In fact, in many countries, more than 50 percent of all adults have an account. Facebook is a free service that makes it easy to share video and news with friends, family, and colleagues. Most editing tools can publish directly to Facebook and it supports all major video formats like QuickTime and Windows Media but converts all these formats to Flash Video (and HTML 5 for mobile versions) after you upload.

Here's how to post a video to Facebook:

1. Sign up for a Facebook account at www.facebook.com. If you’re already a member, just log in.

2. Near the top of the page, click the Add Photo / Video button.

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3. Click the Upload Photo/Video button.

4. Enter a description into the field labeled “Say something about this.”

5. You can use the buttons along the bottom of the post to tag people in the video or add location information.Be sure to give details about your video to help the viewer understand the scene.

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6. Click the “Choose File” button to select a video on your computer for posting. Facebook says it supports more than 30 different formats, but it prefers an HD MP4 file. I find using the YouTube preset works great for Facebook. The upload limit on your account will vary, but to increase it, just verify your account on your profile page.

7. Click Post to add the video.

8. A status window opens to show you the progress of the upload. Depending on duration and site traffic, it can take a few minutes for your video to process and become available online.

9. The video is added to your video collection and is posted to your timeline. You can use the standard sharing features of Facebook to tell your friends about it.




Publishing a Video to Facebook
Republished by Richard Harrington

Posted by: Richard Harrington on Jan 28, 2012 at 1:45:00 pm Social MediaWeb Video
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Tips for On-Camera Video Interview Subjects

OnCam4

Here are a few extra tips to help less-experienced on-camera talent or interviewees. I usually send these on to a client to share with folks prior to the production day.
  • Bring at least one alternative set of clothing to the interview.
  • Herringbone, stripes, or small patterns do not look good on camera. Avoid vivid patterns, plaids, and geometric shapes.
  • Please keep your jewelry simple.
  • Do not wear bright white. Cream, eggshell, or light gray are preferred.
  • Unless told otherwise, maintain eye contact with your interviewer throughout the interview.
  • Relax. Your crew is here to make you look good.
  • It's okay to revisit an interview question, or to occasionally take a "do-over."





Tips for On-Camera Video Interview Subjects Republished by Richard Harrington

Posted by: Richard Harrington on Jan 27, 2012 at 1:45:00 pm VideoDSLR Video
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Working with 3D Objects in Photoshop and After Effects



Learn how to work with 3D objects in tools like Photoshop and After Effects.

This video is part of the book Motion Graphics with Adobe Creative Suite 5 Studio Techniques.




Posted by: Richard Harrington on Jan 26, 2012 at 7:35:00 am AdobeMotion Graphics
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Color Grading Video in Photoshop and AE

Photoshop and AE: Color Grading Video



In this episode of Video Adrenaline for Photoshop and After Effects, Richard Harrington explores how to use Photoshop and AE together as color-grading tools.

Check out more at –
http://library.creativecow.net/harrington_richard/



Color Grading Video in Photoshop and AE Republished by Richard Harrington

Posted by: Richard Harrington on Jan 25, 2012 at 8:19:00 pm Motion GraphicsDSLR VideoAdobe
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Black and White Adjustment Layers in Photoshop – UAP 246



Richard Harrington shows you how to use black and white adjustment layers, blending modes and advanced selections to stylize images.

Be sure to also check out the new book – Understanding Adobe Photosho...

This post sponsored by iStockphotoSave 10%Get a Free Audio Track




Posted by: Richard Harrington on Jan 23, 2012 at 10:08:31 pm AdobePodcast
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Free and Discounted Passes to Macworld

macworld-homeBanner

I am speaking at this year's Macworld | iWorld event. The event runs 1/26 – 1/28

I have a special discount.

100 FREE Exhibit Only Passes

$15.00 OFF an iFan Pass

Be sure to
enter SOURCE CODE:  BPB15330

REGISTRATION URL: https://register.rcsreg.com/r2/macsf2012/ga/index2.html 




Free and Discounted Passes to Macworld Republished by Richard Harrington

Posted by: Richard Harrington on Jan 22, 2012 at 9:00:00 pm ConferencesApple
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Zoom, Zoom, and Check: Manually Focussing a DSLR Camera for Lowlight and Video Shooting

When you are shooting in lowlight conditions, it can be very difficult to get your camera to focus.  Similarly, when shooting video, focus often becomes a manual process as well. If want to check focus, you need to take a few extra steps.  Just turning on the LCD and glancing at it won’t cut it.  The small screen makes everything look more in focus because it can’t show you all the pixels at once.  The reduced image size creates the illusion of a sharper image.

The Technique

If you want to really see what is in focus, you’ll need to zoom, and then zoom some more.  If you’re using a zoom lens, zoom in as tight as possible on your subject.  Zooming in on an area like the eyes works well; a button on a shirt works well too.  You’ll then need to digitally zoom.
zoomzoom

Typically, you’ll find a Zoom button (look for a magnifying glass with a plus symbol in it) on your camera.  Pressing it will enlarge the image on your screen and only show you part of the image.  You may need to use the command dial to navigate around the zoomed in pixels.  Find the detail area that you want to focus on.

You can then use the focus ring on your camera lens to tweak the focus. Make minor turns to find the ideal focus. If needed, adjust the aperture and ISO settings of your camera to refine the depth of field. When you’re satisfied, you can either press the Zoom Out button or just press the Record button or shutter release to roll the camera.




Posted by: Richard Harrington on Jan 21, 2012 at 9:00:00 pm PhotographyDSLR Video
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A Great Post on Getting Started in Photography

photofocuslogo

My friend Scott Bourne wrote a great post on getting started in photography. It is a must read for anyone who doesn't consider themselves a photography pro.

My favorite from the list is

"5. Don’t try to learn everything all at once. You don’t have to become an expert photographer, post-processor and printer all in the same week."


You can read the whole list here –
http://photofocus.com/2012/01/19/10-of-the-things-beginners-should-know-abo...



A Great Post on Getting Started in Photography Republished by Richard Harrington

Posted by: Richard Harrington on Jan 21, 2012 at 8:59:00 pm Photography
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Retiming Audio in Adobe Premiere Pro

Premiere Pro Video Adrenaline: Retiming Audio



In this installment of Video Adrenaline for Premiere Pro, Richard Harrington explores the companion application to Premiere Pro -- Adobe Audition, included in CS5.5.

Check out more at –
http://library.creativecow.net/harrington_richard/



Retiming Audio in Adobe Premiere Pro Republished by Richard Harrington

Posted by: Richard Harrington on Jan 20, 2012 at 7:11:00 pm VideoAdobe
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Triple Exposure Podcast #5

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Welcome to the Triple Exposure podcast.
You can direct-download the MP3 here – 
http://3exposure.podomatic.com/entry/2012-01-16T09_52_42-08_00

You can subscribe on iTunes here - 
http://itunes.apple.com/us/podcast/triple-exposure/id440563481

Scott & Rich talk about the Lytro camera (including its role in time-lapse) as well as the new Lightroom 4 Beta.  A good overview of where things are going in 2012 is shared.




Triple Exposure Podcast #5 Republished by Richard Harrington

Posted by: Richard Harrington on Jan 19, 2012 at 8:59:00 pm VideoBusinessPhotography
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Are You Making the Move to Premiere Pro?

If you're in the process of adding Adobe Premiere Pro to your video workflow, I have a Facebook group that may be helpful

Lots of good discussion in it, as well as a good cross section of folks.

Here it is –
https://www.facebook.com/groups/premierepro/



Are You Making the Move to Premiere Pro? Republished by Richard Harrington

Posted by: Richard Harrington on Jan 18, 2012 at 8:59:00 pm AdobeVideo
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The Future of CGI






The Future of CGI Republished by Richard Harrington

Posted by: Richard Harrington on Jan 16, 2012 at 8:59:00 pm Humor
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Merging Clips and Syncing Audio in Adobe Premiere Pro

DSLR: Merging Clips and Syncing Audio



DSLR video training with Robbie Carman and Rich Harrington: This episode features creating a single clip that contains your video and high quality audio. In Premiere Pro CS5.5, they'll be merging clips and syncing audio in post.

Check out more at –
http://library.creativecow.net/harrington_richard/




Posted by: Richard Harrington on Jan 15, 2012 at 8:14:40 pm AdobeVideoDSLR Video
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Great Story on Photo-realism Painting

The folks over at NPR have a great article on Photorealism.
"Can you guess which one is a photo and which one is a painting?
Quartet by Ralph Goings
If you're going to do a painting that looks exactly like a photo, why even paint it? When asked this question in a written Q & A, photorealist painter and octogenarian Ralph Goings responded, "What I'm about is making paintings, and my camera is one of the tools I use. It's the artist's job to take the painting beyond the photograph."
Keep reading the entire article
here.



Great Story on Photo-realism Painting Republished by Richard Harrington

Posted by: Richard Harrington on Jan 14, 2012 at 8:59:00 pm Photography
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Retro TV: Indian Head Wallpaper


A few folks commented about my desktop pattern at a recent conference. It seems the old 'Indian head' pattern evokes some memories in many audience members.

Well the version I had comes from a Russian designer named Art. Lebedev. You'll find it and several other pieces of artwork on his
posters page. For the test pattern, scroll down to the bottom and you'll find it in the right column. All are free to download.



Retro TV: Indian Head Wallpaper Republished by Richard Harrington

Posted by: Richard Harrington on Jan 13, 2012 at 8:59:00 pm Video
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Merge to HDR Pro Command – UAP 259



Instructor Richard Harrington demonstrates how to use the Merge to HDR Pro Command to create high dynamic range images.

Be sure to also check out the new book – Understanding Adobe Photosho...

This post sponsored by iStockphotoSave 10%Get a Free Audio Track



Merge to HDR Pro Command – UAP 259 Republished by Richard Harrington

Posted by: Richard Harrington on Jan 12, 2012 at 8:37:00 pm AdobePodcastPhotography
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Adobe Clarifies Upgrade Policy for CS6

Recently, there was a lot of online static about Adobe changing its upgrade pricing. There were some conversations, overheard statements, and misinterpretations on what they were going to do. Many thought the only option to upgrade for CS6 was going to be a CS5 customer. I started digging into this a while back and have had a few conversations with folks to get clarification.

I am glad to tell you that Adobe has made an official announcement today about what user's can expect. I have put
Adobe's statement in bold and added my commentary in italics.

We’re very excited about the upcoming release of Adobe® Creative Suite® 6 software and Adobe Creative Cloud™. CS6 will be a major new release of our creative desktop tools, with huge improvements for every type of creative professional.

  • I'm excited. More than anything in the past 7 years.
  • You will be too.

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Adobe Creative Cloud will be our most comprehensive creative solution ever, giving members access to all of the CS6 desktop software plus additional services, new tools, Adobe Touch Apps, and rich community features.

I am not clear on all that is in the bundle… but what I hear sounds good. A subscription based plan that looks to be about $50 a month. With access to apps as well as many online services for publishing and collaboration. Here are more details – http://www.adobe.com/products/creativecloud.html.


In addition, Creative Cloud members will receive continuous upgrades and updates to all products and services as part of their membership.

This is the biggest news. The next thing I am going to say is a little complex, but the Sarbanes-Oxley Act prevent publicly traded companies from doing free software updates after a certain period of time. It's a convoluted law that grew out of the Enron scandal that places limits on how companies can sell products and realize revenue if they are publicly traded. This is why Apple has to charge you 99¢ for FaceTime because you licensed the OS once, but can push out free updates for the iPhone because it has monthly services fees. See these articles for more details –


What's really cool is that apps could see more frequent updates. So support for new file formats could come out as needed. Adobe could be more nimble and release new features officially (instead of trickling out public beta versions through Adobe Labs). This could really increase the pace of innovation and has a lot of potential.

Adobe’s new Creative Suite upgrade policy, which goes into effect in the first half of 2012 when Adobe Creative Cloud™ and Creative Suite 6 are released, will require customers to be on the most current version of Creative Suite in order to qualify for upgrade pricing when new versions are released. This means that customers need to be on CS5 or CS5.5 in order to receive upgrade pricing when CS6 is released.
This is why everyone freaked out… take a breath and keep reading.

With these great new releases coming in the first half of 2012, we want to make sure our customers have plenty of time to determine which offering is best for them.

YIPPEE!!!

creative-cloud-marquee-709x400

Therefore, we’re pleased to announce that we will offer special introductory upgrade pricing on Creative Suite 6 to customers who own CS3 or CS4. This offer will be available from the time CS6 is released until December 31, 2012. More details on this offer, as well as any introductory offers for existing customers to move to Creative Cloud membership, will be announced when CS6 and Creative Cloud are released later this year.

In other words, read between the lines.

  • Just like recent releases, you can only upgrade from 3 versions back. They are going to continue this policy for a short while longer.
  • Buy the upgrade to CS6 when its released if you want to own the software. Expect upgrade pricing to be similar to past pricing.
  • If you have CS5, CS4, or CS3, upgrade to CS6. You will not be able to upgrade after December 31, 2012, unless you are a CS5 customer (or CS5.5).
  • When CS7 rolls around (I AM NOT STARTING A RUMOR HERE) it sounds like you will need to be a CS6 customer in order to upgrade.

Read the details about our Creative Suite upgrade policy –
http://www.adobe.com/products/creativesuite/faq.html#upgrade-eligibility
Learn more about Adobe Creative Cloud –
http://www.adobe.com/products/creativecloud.html

The lesson here is:
  • Keep calm and carry on.
  • You will be able to upgrade to CS6 if you own CS3, CS4, CS5, or CS5.5.
  • Sounds like CS6 is around the corner.
  • You can already subscribe to the Creative Suite bundles here – http://www.adobe.com/products/creativesuite/cssubscription.html for between $65 and $130 a month… so the new $50 a month pricing is going to be even sweeter.

Hope this clears things up.




Adobe Clarifies Upgrade Policy for CS6 Republished by Richard Harrington

Posted by: Richard Harrington on Jan 11, 2012 at 8:37:29 pm AdobeBusiness
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How to use the Replace Edit Command in Adobe Premiere Pro

Premiere Pro Video Adrenaline: How to use the Replace Edit Command



In this installment of Video Adrenaline for Premiere Pro, Richard Harrington demonstrates how to use the replace edit command in Premiere Pro so that you can swap out one take for another. In this example, the actor delivers his line a little late, and with low energy. Take the clip in the source monitor, use the current time indicator to create a sync point and automatically create the correct in and out points.

Check out more at –
http://library.creativecow.net/harrington_richard/




Posted by: Richard Harrington on Jan 10, 2012 at 8:13:33 pm AdobeVideo
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The History of Alpha Channels

Ch16-Figure-28-Alpha-3
Alpha channels grew out of work done at the New York Institute of Technology in 1977. The goal was to embed transparency data directly into each file to cut down on rendering. The name alpha was chosen because it’s the part of a mathematical equation that represents blend-ing between composited images. The embedded alpha channel eliminated the need for a separate traveling matte. After Effects users should consider embedding alpha channels as Photoshop users do. Embedded mattes reduce the need for two-step rendering and eliminate the possibility of a misaligned matte.

This post sponsored by iStockphotoSave 10%Get a Free Audio Track





The History of Alpha Channels Republished by Richard Harrington

Posted by: Richard Harrington on Jan 6, 2012 at 12:07:50 am Motion GraphicsVideo
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Stabilizing Footage with the Warp Stabilizer

Premiere Pro Video Adrenaline: Stabilizing Footage with the Warp Stabilizer



In this installment of Video Adrenaline for Premiere Pro, Richard Harrington delivers the great new feature in AE CS5.5 for image stabilization and ties it seamlessly into PP using Dynamic Link. Take advantage of this new feature to seamlessly exchange files between the two programs.

Check out more at –
http://library.creativecow.net/harrington_richard/



Stabilizing Footage with the Warp Stabilizer Republished by Richard Harrington

Posted by: Richard Harrington on Jan 5, 2012 at 8:12:15 pm DSLR VideoAdobeMotion GraphicsVideo
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What is the difference between Rotation and Orientation in After Effects?

When you want to rotate a 3D layer in an After Effects composition, type W to switch to the Rotation tool (V will switch you back to the Black Arrow selection tool when you’re done), and then choose Rotation or Orientation from the drop-down menu at the bottom of the Tools panel.

  • Rotation is the best choice for animating.
  • Orientation is better for posing.

This is because when you keyframe Orientation, it always takes the shortest path between two angles. So if you start with a layer rotated 0 degrees and orient it clockwise to 350 degrees, in the final animation, it will rotate counter-clockwise from 0 to 350.

On the other hand, Rotation remembers which direction you rotated the layer and how many times around you went.





Posted by: Richard Harrington on Jan 4, 2012 at 12:10:00 am AdobeMotion Graphics
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Special Effects and Performance Art



A cool find of performance art and technology. I love the planning that went into these 3 pieces.

"This video is most interesting is that it did not join any computer post-effects, only the use of cameras, projectors and Play Station Move is realized as the science fiction version of the magical effects."




Special Effects and Performance Art Republished by Richard Harrington

Posted by: Richard Harrington on Jan 3, 2012 at 12:11:00 am VideoMotion Graphics
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Painting Frames in Video Layers with Photoshop

Photoshop Extended lets you combine two great features for creative options. You can open up a video file and then use your painting tools to edit individual frames or to create an animation. This process is typically called rotoscoping.

1.
Open or create a new video file. You can either open an existing video file (File > Open). You can also create a new video layer to isolate your animation (Layer > Video Layers > New Blank Video Layer.

2.
Prepare to animate. Animation tasks are easier when you change Photoshop’s layout. In the Application bar, click the Motion workspace button to reconfigure Photoshop.

Paint1

3. Select a layer and time. You need to choose where to animate. In the Animation or Layers panel, select a video layer. Next, move the current time indicator to the video frame you want to modify. This is where the animation will begin.

4. Start Painting. You can use any of your painting tools to modify the layer. Try using several strokes to create an animated image. You can also use the Clone Stamp, Pattern Stamp, Healing Brush, or Spot Healing Brush to modify individual frames in a video file.

Paint2


5.
Move Forward. Since your goal is to animate, you’ll need to use more than one frame. You can use the playback controls at the bottom of the frame to advance to the next or previous frame. To make painting easier, click the submenu of the Animation panel (upper right corner of the panel) and choose Enable Onion Skins. This will show you a preview of the previous stroke when painting.

Paint3


6.
Change your Mind? Any painting you do on a video frame applies non-destructive edits. This means you can discard the altered pixels on a frame at any time. Simply choose Layer > Video Layers > Restore Frame or Restore All Frames command.

This post sponsored by iStockphotoSave 10%Get a Free Audio Track




Painting Frames in Video Layers with Photoshop Republished by Richard Harrington

Posted by: Richard Harrington on Jan 2, 2012 at 12:11:00 amComments (1) AdobeMotion Graphics
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Type Effects – UAP 244



Instructor Richard Harrington explores various ways you can add effects to your text in Photoshop CS5.

Be sure to also check out the new book – Understanding Adobe Photosho...

This post sponsored by iStockphotoSave 10%Get a Free Audio Track




Type Effects – UAP 244 Republished by Richard Harrington

Posted by: Richard Harrington on Jan 1, 2012 at 5:53:00 pm AdobePodcast
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