|ATTN APPLE Final Cut Pro users: |
NOW is the TIME to learn Avid Media Composer 7
Are you still editing on FCP7? Are you still wasting hours upon hours logging & transferring or MPEG Stream clipping your file based HD footage into HD before you can even start editing? Still making due with clunky work-arounds that allow you to struggle through your projects, without any of the benefits of today's more efficient tapeless workflows?
While FCP7 is a dear old friend, it's time to realize that while it may have been a great choice a few years ago, it's time has come and gone. The unfortunate reality is that FCP7 can't tap into the power and performance of today's iMacs (or Mac Mini), let alone the brand new Mac Pro's. How much longer can you keep holding your business and your creativity back by sticking with FCP7? Now is the Time to learn Avid Media Composer and become an Avid editor.
Whether you’ve used Avid before or if you’ve just always been a Final Cut editor making the move to Media Composer 7 is not as hard as you think. You are not “starting over” by purchasing Media Composer 7. Your skills, workflows, media, and even sequences are directly translatable to the MC7 environment, making the move the fast and easy. This is the whole underpinning of the Get Started Fast with Avid for Final Cut Pro 7 Editors tutorial series mentioned in this guide.
Avid invented non linear editing
Not only did Avid invent non linear editing over 25 years ago, they remain the only company that is 100% focused on the needs of video and audio editors. When you watch a Hollywood movie; or a television drama, sitcom or reality show; or a documentary or news report - the odds are it was edited by an editor using Avid Media Composer. Over 85% of what you watch at home or in the movie theater was cut on Avid. As a result, Avid sets a standard for workflow efficiency and stability that must meet the rigors of broadcasters and Hollywood studios. Did you know that all of movies nominated for an Oscar last year used Avid products as an integral part of their post- production workflows? They did and I'm sure it will be the same this year as well. This means that when you edit with Avid Media Composer you too get that same level of professional performance and rock solid stability. No other NLE comes close to providing the tools and workgroup collaboration that Media Composer does.
read the full article http://www.videoguys.com/Guide/E/Now+is+the+time+for+Avid+Media+Composer+7+...
|Upgrade to Avid Media Composer 6.5 for just $488 and get a FREE Upgrade to Media Composer 7 when you order before 6/14/13 at Videoguys.com|
PLUS FREE Class On Demand Training!
Did you ever edit with Avid Xpress DV or Avid Xpress Pro? Perhaps you moved on to Final Cut or Premiere Pro or another NLE over the years and your Xpress DV or Xpress Pro Dongle is sitting around collecting dust. If you still have the dongle, Avid wants you back. Avid is offering you one last chance to upgrade to Media Composer for under $500!
Not only do you get Avid Media Composer 6.5 Upgrade for just $488, which is the editing application used by the pro’s, Avid will also give you a free upgrade to the new Media Composer 7 when it ships later this June.
Videoguys realizes that a lot has changed over the years, so we're going to give you free Avid on-line training from Class on Demand worth another $129!
Let's talk a bit about how much Avid has changed over the years. First and foremost, Avid Media Composer is very affordable. At NAB this past April 2013, Avid not only announced the new version, they also announced the new MSRP for Media Composer 7 at $999, and that existing Media Composer owners would be able to upgrade for as little as $299 to Media Composer 7. That is a dramatic pricing change and it makes Media Composer affordable for video editors of every level, including event cinematographers, independent filmmakers, worship videographers, corporate video shops and online media producers.
Avid is still offering college students the chance to purchase the Student version of Media Composer for just $295 with 4 years of free upgrades. Institutions and faculty can also take advantage of the $295 price point.
In addition to its new low price, Avid Media Composer now has a much lower overall total cost of ownership. You do not require an expensive HP/Dell workstation or Mac Pro to edit video with Media Composer. Thousands of video editors all over the world are editing video using our DIY builds as a guideline for putting together a powerful, yet affordable Windows PC. You can edit on a laptop or Mac Book Pro, as well as an iMac. Media Composer does not require any special hardware to run just as long as you stick to the basic requirements outlined on the Media Composer Product Pages or on the Videoguys' PC & Mac System Recommendations for Avid Media Composer 7
The major determining factor on how much computer you will actually need is the format of your source footage (SD or HD). Editing DSLR, GoPro or AVCHD footage takes a lot of horsepower because these formats are very compressed. The video quality is spectacular but you need a powerful computer to work with the media. Fortunately, you can find these powerful computers everywhere today.
Read the full blog post at Videoguys.com
|It's been a very busy spring for all of us at Videoguys.com|
We had a great NAB show, and we picked up some really exciting new products. We'll go into that in more detail in this newsletter.
First, I'd like to thank you all for your patronage and support over the years. We know we would not be where we are today without you, our loyal customers. In the past, I've run a special coupon INSIDER5 that extended a 5% instant rebate on your next order. Not only have I reactivated this coupon, I've made it even stronger. I've added FREE Super Saver Shipping to it. So know you can save 5% and get FREE shipping with coupon INSIDER5 on all orders placed on or before May 31st!
5% OFF and get FREE shipping with coupon INSIDER5 on all orders placed on or before May 31st
Videoguys NAB 2013 report
Wow! I wasn't expecting this year's NAB to be so exciting. Our industry has gotten mature and so have the products. But, from the start of our dealer meetings on Sunday, I could tell that something big was happening, not a huge tidal wave of change, but several big waves rolling in one after another that would have a dramatic impact on the future of our industry. Each of these waves on their own is interesting. When you look at the convergence that is going on it adds up to very important and powerful changes that will shape the future of content creation Click here for both Part 1: An Industry In Transition & Part 2: Top Products from the Show http://tinyurl.com/cp69skr
We've added some new FAQs to the website:
Videoguys' FAQ: Avid Media Composer 7 and Symphony - Buy Today and Upgrade FREE
AT NAB Avid announced a new version of Media Composer is coming in June and they lowered the MSRP for Media Composer to $995! They also lowered the cost of upgrades and even better, they are giving you a FREE upgrade to version 7 if you purchase Media Composer or Symphony today!
In this FAQ we tell you all about the new features, as well as some reasons you want to become or go back to being an Avid Editor.
Videoguys' Guide to Adobe Creative Cloud for Teams
Imagine if your team always had the best tools. Imagine if they could save time by seamlessly sharing files from any device. That’s Adobe Creative Cloud for teams. You get the entire collection of Adobe creative tools and exclusive updates, along with lots of team-specific features that make working together — and managing licenses — easier than ever. All for one affordable subscription price.
In this FAQ we explain what the advantages are of Adobe Creative Cloud for Teams and we try to dispel some of the myths and distortions about the Adobe Creative Cloud subscription model. http://tinyurl.com/cpzqxa4
We've added a bunch of new Live Steaming Products:
Newtek TriCaster 40 & 455 in stock!
All-in-one, integrated live production system that offers the power of a live network studio. When paired with live streaming over the Web, anyone can create and share a professional TV show. Students, premiere broadcast networks, major league sports networks and teams, along with some of the world’s biggest corporations—all use TriCaster to produce and stream live events, and expand their audiences, faster than ever before.
The NewTek family of TriCaster products integrates everything you need into a single, elegant, cost-effective and easy-to-use system so you’ll never have to buy and install separate components. With TriCaster in your studio, school, business or mobile van, you’ll spend more time bringing your creative ideas to life, and less time worrying if things will actually work. http://tinyurl.com/c4zgbr7
Teradek VidiU and Bolt in Stock!
Teradek offers a wide range of state-of-the-art wireless video products for filmmaking, live video production, and broadcast contribution.
As a pioneer of IP video devices, Teradek creates highly versatile encoders and accompanying transmission systems for live HD video broadcasting over WiFi, Ethernet, and 3G/4G networks. Since 2008, Teradek products have been utilized by video professionals in cinema, broadcast news, professional sports, government, and higher education. All Teradek products are designed and manufactured in Orange County, California and are distributed worldwide.
The Teradek Bolt is a latency-free wireless transmission system that sends 4:2:2, 1080p60 video at up to 300ft. Bolt comes in two varieties; the unicast Bolt and the multicast Bolt Pro. Bolt pricing starts at $1,490
The Teradek VidiU gives you the freedom to broadcast live high definition video directly to the Web without a PC. Whether you’re streaming out of a video switcher or wirelessly from your camera, VidiU allows you to go live when you want, where you want. VidiU is in stock and on sale for $679
Matrox Monarch HD coming in June!
The Monarch was one of the biggest hits at the NAB show. The Monarch HD streaming and recording appliance was chosen for Best of NAB Award by StreamingMedia.com, Black Diamond Award by Digital Video magazine, STAR Award by TV Technology magazine and Video Innovation Award (VIA) by BCPVA.com
From any HDMI input source such as a camera or switcher, Matrox Monarch HD generates an H.264-encoded stream compliant with RTSP or RTMP protocol.
While encoding the video at bitrates suitable for live streaming, Matrox Monarch HD simultaneously records a high-quality MP4 file to an SD card, a USB drive, or a network-mapped drive. Matrox Monarch HD is remotely controlled using any computer or mobile device with a web browser.
Videoguys is taking pre-orders for Monarch HD $995
We've been running some really great specials since NAB. Here are the links to learn more and check them out:
• Videoguys' Post-NAB Specials New Products, Great Deals plus FREE
• G-Technology Post-NAB Update: Super-Speed USB 3, Thunderbolt and the new Evolution - G-DOCK ev
• Sony Vegas Pro 12 Collection, Suite and Bundles at Videoguys.com
We've also updated some of our product category landing pages:
• NLE Software, Crossgrades & Upgrades
• NLE Plug-Ins
• Streaming Media & Live Production Gear
• Spotlight on Storage
Once again, we want to thank you for your patronage and support. If you should run into any issues with our website, please let us know about it.
Call 800 323-2325 and ask for Jim. We hope you'll be ordering soon! Don't forget to use coupon INSIDER5 and get:
5% OFF and get FREE shipping with coupon INSIDER5 on all orders placed on or before May 31st
|WE ARE THE VIDEO EDITING & PRODUCTION EXPERTS!|
Videoguys.com is your source for great deals on video editing software, hardware, storage, plug-ins and more!!
Videoguys.com is your source for Avid Media Composer & Symphony, Sony Vegas Pro, Grass Valley Edius and the Adobe Creative Cloud for Teams. Please call our NLE experts at 800-323-2325 with any questions you have about your upgrade/crossgrade eligibility, computer system requirements, video storage and your workflows. We'll help you make the right choice, and we'll make sure you have the right hardware to run your new software.
Whether you’re a home user, hobbiest or prosumer; Event Videographer/ Cinematographer or Indie Filmmaker; a professional in a Broadcast facility or Post house; our knowledgeable Videoguys sale team is available to answer all of your questions before, during, and after the sale. We’ll even stand behind our recommendations with a 30-day money-back guarantee and FREE tech support – a customer service policy unmatched in the industry!
Do you have questions about video editing & production or any of our products?
Call us for knowledgeable advice and fantastic bundle deals and check out our guides and blog posts for system recommendations, FAQs, tech tips, reviews & more
Do you need new NLE software? Are you looking to make a switch? Save Hundreds Now with these Crossgrade & Upgrade Specials - Now with FREE Training thru 2/28! Check out all our great Upgrade & Crossgrade deals!! http://www.videoguys.com/VideoguysSpecials/Specials.aspx?sb=45
|We still have Media Composer Crossgrades and Symphony upgrades in stock. We’re promoting them at $949 with a free Class On Demand training card. We've also got some great bundles with Nitris DX hardware and Avid Artist Color.|
Got Final Cut? Crossgrade to Avid Media Composer 6.5 for $949.00 while supplies last
When it comes to editing, today’s professionals need the right tools that enable them to work with any type of media, complete every facet of a project, and eliminate bottlenecks, so they can focus on their storytelling. With Media Composer, you have a complete, reliable solution that not only complements your existing workflow, it enables you to do more—faster.
ATTN Avid Editors: Upgrade to Avid Symphony 6.5 for $949.00 while supplies last
You probably know Media Composer, but did you know that Avid Symphony is identical to it, with all of the same tools and features, plus advanced color correction and Boris Continuum Complete (which retails alone for double the price of this offer)? And when paired with a Nitris DX interface, Symphony offers Universal Mastering for easy multiformat delivery.
Save up to 50% OFF Avid Symphony Bundles with Nitris DX Hardware
For a limited time, save $6,000 (USD) when your purchase Symphony with one year of Avid Expert Plus Support and a Nitris DX interface: Avid Symphony 6.5 with Avid Nitris DX $7,999; Avid Symphony 6.5 Upgrade with Nitris DX $4,999
ADD AVID ARTIST COLOR TO MEDIA COMPOSER OR AVID SYMPHONY FOR ADVANCED COLOR CORRECTION!
Avid Artist Color is a Color Grading Control Surface with trackballs, trackwheels, encoders and more to provide colorists with interactive, hands-on control and a host of programmable keys in a slim-line design. (On Sale $1,399, reg $1,666.00). Media Composer 6.5 Crossgrade with Artist Color or Symphony 6.5 Upgrade with Artist Color $2,225
|We've put together this little FAQ to help you better understand Avid's professional editing software, the promotions being offered by Avid, and the amazing bundle specials available now until December 14, 2012.|
- FCP owners can crossgrade to Avid Media Composer for $979
- Avid editors can upgrade to Avid Symphony for $979, or upgrade to Symphony Nitris DX for $4,999
Before we get into the promotions I wanted to take some time to congratulate Avid on 25 years and highlight this amazing accomplishment! Twenty Five years as a technology leader is an awesome accomplishment and something that should be celebrated. Before Avid, you couldn't cut movies or video digitally. It was all done mechanically by cutting and splicing film together. Now, all you have to do is drag and drop the files into our computer, edit them, add special effects, filters, titles, graphics, just about anything you can imagine, you can create. None of this would be possible if it had not been for Avid, and nothing works better for today's workflows then Avid Media Composer and Symphony!
Today we have a new generation of HD cameras that shoot 2K & 4K video approaching the quality of film. We have small digital HD cameras like the GoPro Hero and Contour HD. W, we have new tapeless workflows and other advancements that have all revolutionized video editing. Avid is committed as ever to professional workflows and the needs of post production facilities, broadcast and cable television stations, independent film makers, and anyone trying to make a living editing and producing content. It all started with Avid. Many of you started with Avid. It's time to come back home.
Videoguys has been around for over 25 years as well, and we've been an Avid partner since 2000 when we met with Alan from Avid at the DV Magazine Expo in Pasadena. We spoke with Alan about a new product Avid was working on called Avid Xpress DV. We loved it and we knew we could sell a bunch of it (which we did ;-). Then, as they say, the rest is history...
[h3]Avid's Special 25th Anniversary Promotions EXPIRE DECEMBER 14TH!! We've got the answers to your questions so you can order TODAY![/h3]
Follow this link for the Avid Promo FAQ
|Avid - The Professionals Choice. Always was. It's that simple.|
Avid listens to their customers.
A few years ago Avid did something unprecedented in our industry that many editors may have forgotten about, They took their show on the road. Actually it wasn't a road show, it was their top management, visiting with post houses, pro editors, indy film makers and user groups. They asked what needed to be fixed and they asked for honest feedback. They sure got it! What did Avid do with this info? They used it to make their products better - dramatically better!!
Media Composer 5 with AMA and Mixed Format timelines
When Avid introduced MC5 two years ago at NAB, they took the show by storm. All the buzz was that Avid was back, and they were right. They had taken their leadership position back with the industries most powerful tapeless HD workflows. With AMA, MC5 unleashed the ability to edit HD formats natively including XD Cam, P2, DSLR footage, DNxHD and even ProRes. That's right editors could now edit Apple ProRes files natively on the Avid timeline. No transcoding, no re-wrapping, no file conversions - just bring it in and edit. Even better you can Mix & Match various HD formats, CODECs and even frame rates on the same timeline!
Opening up to 3rd party Hardware
Two years ago Avid announced support for the Matrox MXO2 Mini for HD previews from the Media Composer timeline. At last NAB they announced support for the AJA Io Express and the MXO2 Mini with MAX. More hardware support is on the way - its no longer a matter of if, but of when. With the current state of the NLE market, I expect that when just got a whole lot closer!!
Last year Avid purchased Euphonix and now the Artist Series of controllers and control surfaces work perfectly with Media Composer and ProTools. The Avid universe keeps expanding. While Media Composer ships with a very nice suite of 3rd party plug-ins, you can use many more.
Media Composer Crossgrade - get the full MC5.5 Suite for under $1,000!
With the competitive landscape shifting and changing, Avid decided that they had had enough. Avid's business is Video Editing and Content creation. They are not a consumer electronics company, they make products for every level of content creation, and they know their bread and butter business is Professional Editors. The people who make a living and feed their families creating video. It was time to get you back, and boy does Avid have an offer for you. Crossgrade to Media Composer for $995. Just provide your proof of FCP ownership and you're back with Avid. The company that understands your workflows, values your skills, appreciates the work you do, and wants you as a customer for life. Now who can argue with that?!?
For more info on the Avid Crossgrade promotion
|If you are a Final Cut Pro editor, unless you've been living in a cave up in the hills, you have heard all the hype about FCPX, the next generation of Final Cut Pro. I'm intentionally not calling the product Final Cut Pro ver 10, because it isn't a next version of Final Cut at all. It is a completely new application. They could have called it Norman or Wolf or Orange, because it is a brand new editing app called FCPX. When it ships it will be version 1.0 of FCPX, and with it will come all the bumps, hiccups, work-arounds and compatibility issues that every 1.0 software release encounters. |
This is not to knock Apple or FCPX. I raved about the FCPX Sneak Peak in our NAB report. And, like millions of you, I will buy and download it from the App store as soon as it is released. But, I do not have any illusions or false hopes about what to expect. It's going to be a fantastic new tool to play with but I would NEVER expect it to replace Final Cut Pro right out of the gate. I do not expect it to work with my capture hardware, my plug-ins or even my existing projects. Apple's silence says it all for me. Apple won't say they'll work so why should anyone think otherwise. That is simply an unreasonable assumption. As great as Apple is, and as brilliant as their engineers are, you simply can't expect it to be able to replace or even improve your existing video editing workflows on day one. I'd love to download FCPX and to have my MXO2 Mini, and my Boris and Red Giant plug-ins work, but my gut tells me different - IT'S NOT GOING TO HAPPEN!
So what is a poor FCP editor to do? We suggest you follow these 4 easy steps:
Step 1: Purchase and Download FCPX when Apple makes it available.
For $299 I think it's a pretty safe bet you are going to find enough goodness in it to justify the expense. In fact, I'm pretty sure many of you will LOVE it. But I can also guarantee that a sizable amount of Final Cut Pro editors will hate it. You won't know until you try it, but don't expect it to take your current NLE workflow to the next level, not right away. Be prepared that most, if not all of your 3rd party hardware, software, plug-ins and other parts critical to your current FCP workflow, will not work correctly upon initial release. I'm sure they will eventually, just not on version 1.0
Step 2: Keep using the current and final version of Final Cut Pro.
Even though it's the last version and we know we'll be saying goodbye to an old friend, it doesn't magically stop working for you just because Apple launched a new NLE called FCPX. If your current FCP workflow is getting the job done, you have no need to switch to FCPX or any other NLE at this time. But, let's be honest, as much as we love Final Cut Pro, we know that there are some things that other NLEs now do better (including FCPX). Since Apple has moved on to FCPX, we will never see stuff like native format support for AVCHD or other HD formats, we won't get true 64-bit computing or GPU acceleration or the ability to fully utilize all the RAM and cores in our current Mac Pro. Yes, FCPX will have it, but it's not going to happen for Final Cut Pro and we know you have a lot of time, money, equipment, and other resources invested in Final Cut. So what other options do you have?
Step 3: Consider your alternatives. Give Avid and Adobe another look and consider adding one (or both) while they are looking to entice Final Cut Editors like you with special promotions.
Avid Media Composer 5.5
Check out Avid Media Composer. Download the trial version here . If you like it, Avid is now offering a Final Cut Owners the opportunity to "crossgrade" to Media Composer for just $975! But Hurry! This offer expires June 17th, 2011. You don't have to give up your current Final Cut Pro, you just have to prove you own it. Even better ,you don't just get Media Composer, you get the full Production Suite of 3rd party software!!
I know many of you left Avid for Final Cut. But remember why you left Avid. You left because it was too expensive and it didn't support affordable 3rd party I/O hardware.
Well a lot has changed over the past couple of years. Avid now supports 3rd party hardware. Although it's limited to the Matrox MXO2 Mini, MXO2 Mini with MAX and the AJA Io Express, Avid has said repeatedly that they are committed to becoming even more open and that support for the rest of the Matrox & AJA hardware is just a matter of time. It's no longer a question of if, but when - and I think FCPX has sharply accelerated that timetable.
Adobe CS5.5 Production Premium
Check out Adobe CS5.5 Production Premium and Adobe Premiere Pro CS5.5. Download the trial version here. If you are a video editor you most likely own and use Adobe products all the time. Photoshop and After Effects are two tools most editors and videographers depend on, day in and day out. Like Avid, Adobe is going to make you a fantastic offer to Final Cut owners on their point-product upgrade to Adobe CS5.5 Production Premium Since you already own one of their point products (Premiere, Premiere Pro, After Effects CS or Photoshop CS) and you own Final Cut, you can upgrade to the full Production Premium for just $799 now through June 30th, 2011.
Now lets talk about Adobe Premiere Pro CS5.5 and how far it has come over the past few years. This is not your father's Premiere, or the Premiere you may remember from even five years ago. Premiere Pro is a screaming fast 64-bit, multi-threaded, GPU accelerated, native format eating, video editing monster. No other NLE before or since taps into the power and performance of today's computers like Premiere Pro CS5.5 and the Mercury playback engine. The Mercury Engine allows you to work with multiple layers of HD footage in their native file formats in real-time. AVCHD, DSLR, RED, P2 are all no problem. Mix & match them in your timeline, with multiple layers of video, filters and effects. Hit the spacebar and watch it play. Full speed, full resolution. If you have an AJA Kona card or Matrox MXO2 you get full speed, full res, HD output straight from the timeline.
Step 4: Edit, make videos, make money!
Competition is good. The big winner is you. Thanks to FCPX you now have more affordable options than ever. We don't have to crown a champion in this NLE war, because you, the editor get to wear the TRIPLE CROWN!
Do the math. FCPX $299, Avid Media Composer 5.5 $995, Adobe CS5.5 Production Premium $799. For under $2,000 you now have the ultimate collection with all of the very best tools available on the market, all working side by side on your Mac Pro, or MacBook Pro or one of those sexy new iMacs with Thunderbolt. As for your old reliable FCP - it still keeps on chugging. Now you can use whichever tool is best for the job, and you can work on projects no matter who started them or what NLE the client or producer thinks is best. You won't ever loose a job or miss an opportunity because your edit suite has no limits or boundaries. Any format, any NLE, any project - you have no technical limitations - the only thing stopping you is you're own creativity and imagination.
Visit the Videoguys Blog for more info and articles