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Sonnyboo Podcast - Ampersand and Screenplay Credits
By: Peter John Ross on Jul 28, 2014 at 3:31:58 pm

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Video Collaboration Tools: DaVinci Resolve
By: Stu Brown on Jul 28, 2014 at 2:42:39 pm

Last Saturday morning, I had the pleasure of visiting Neil Smith, CEO of LumaForge and Marketing Manager, Kahlani Leon, for a presentation of some new video collaboration tools. Neil is not just another ordinary video reseller. He has a background in digital computing that spans decades, having sold the famous Cray computers to the US Government. As a major player within the industry since that time, Neil has a unique perspective on identifying trends, and has managed to assemble his own hardware which is extremely compatible and robust when it comes to hosting today's popular video editing software. Check out...

collaboration

How Kevin Spacey Helped Me Get Started In Editing
By: Kylee Wall on Jul 23, 2014 at 7:31:14 pm

Last weekend I was bingeing on House of Cards (as you do) and after one particularly riveting episode where blank and blank blank-out and they all blank (spoilers/adult situations) I finally noticed a familiar logo: Trigger Street Productions, Kevin Spacey's production company. Not that it's terribly widely known I guess, but the logo is burned into my brain (a folder within a folder within a folder from years ago, but it was there.) In 2002, Kevin Spacey started a website called Trigger Street Productions (now called Trigger Street Labs ) for unrepresented writers and filmmakers. It was pretty phenomenal at...

editing

Sound Decisions: A Properly Designed Mixing Room Makes All The Difference
By: walter biscardi on Jul 21, 2014 at 9:05:21 am

At Biscardi Creative Media, we understand the importance of great audio. To that end, we had our Rialto mixing theater designed specifically for quality sound design. The Rialto features a ProTools HD Native 5.1 system, SPL 5.1/stereo monitor controller, Genelec audio monitors and subwoofer, an 8 foot projection screen– and sound designers love working from it. One sound guy you’ll frequently find at BCM these days is Michael Cardillo, a veteran audio engineer in the Atlanta area. After many years as a sound designer at Crawford Communications, Michael went freelance in 2007 and spends his time working on all manner...

ProTools

Top-flight videos fuel the JetBlue brand
By: Adobe Sponsored on Jul 15, 2014 at 11:53:27 am

Airline’s in-house video team uses Adobe Creative Cloud to tell stories that engage and inspire crewmembers and customers JetBlue Airways began flying in 2000 with a promise “to bring humanity back to air travel.” That commitment is the backbone of the airline’s external brand, as well as its internal culture; JetBlue’s workers are “crewmembers,” whether they’re based on the ground, in the sky, or at the offices. In 2014, for the tenth consecutive year, JetBlue received the highest honors in airline customer satisfaction among low-cost carriers in the J.D. Power North America Airline Satisfaction Study . A technological innovator from...

Creative Cloud

Once in a lifetime experience in Brazil
By: Adobe Sponsored on Jul 14, 2014 at 3:44:50 pm

As a senior engineering manager at Adobe, I’ve been very lucky to visit broadcasters, post houses, and other customers all around the world. I really appreciate learning about how customers use our products and what types of content they produce. Getting to know the people and the cultures during these trips is always my favorite part. Recently, I had the opportunity to travel to Brazil for that big international soccer (of course I mean football) event that just concluded. Adobe Premiere Pro CC was selected as the editing platform for the event, so we put together a team to go...

Creative Cloud

is E.T. a remake of the Wizard of Oz?
By: Peter John Ross on Jul 13, 2014 at 9:32:38 am

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wizard of oz

Help us get Ice Cream Nation started!
By: walter biscardi on Jul 11, 2014 at 5:44:58 am

Hi all! We have an Indiegogo campaign running for one of our newest shows, Ice Cream Nation hosted by Keith Schroeder, the culinary genius behind High Road Craft Ice Cream here in Atlanta, GA. Concept is simple. We send Keith around the country to find interesting and unique ice creams and desserts baed on ice cream. Then he comes back to the Ice Cream Nation kitchen to show you how to recreate these incredible flavors in your own home using a standard ice cream maker. If you got a buck, 5, 25 or more, please help us get the series...

Ice Cream Nation

Actor/Playwright Laoisa Sexton
By: Bob Gillen on Jul 10, 2014 at 2:13:26 pm

“The whole female subject matter, female sexuality in an Irish film is untried territory… but that’s exciting to me to do something new,” says actor and playwright Laoisa Sexton of her debut play For Love. The play was staged off-Broadway by the Irish Repertory Theater in 2013. Laoisa (pronounced Lee-sha) Sexton has written the screenplay for her stage play, and is now working to shoot it in Ireland. “I am working with the producer Paul Heller. He was the producer of Withnail and I, Harold and Maude, amongst others, and some of my favorite films. It is a big dream...


EXTANT/Mickey Fisher interview for FRAMELINES
By: Peter John Ross on Jul 6, 2014 at 10:26:10 am

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EXTANT

10.1.2 Killed the Sparse Disk Star
By: John Davidson on Jun 30, 2014 at 4:31:17 pm

Hey gang, just wanted to give you a little update on what we're uncovering right now. The new update to FCPX 10.1.2 brought the ability to export xml of entire events. This is huge. The primary reason we have stuck with sparse disks in our office environment was so that we could quickly and easily maintain our huge and growing database of keyword tags and open those libraries on any system in our office. The way we worked, we would tag various network shows we work on because in our type of integrated promotion this information is critical to keep...

FCPX

Movie Clichés - Reading from Old Books
By: Peter John Ross on Jun 30, 2014 at 12:58:58 pm

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Capturing the essence of Brazil through motion graphics and art
By: Adobe Sponsored on Jun 26, 2014 at 11:00:07 am

Filmmaker embarks on journey documenting creativity around the world When we last spoke with Graham Elliott he was just starting work on his next film, World In Motion , which he describes as, “a documentary film series that explores the dynamic connection between location and expression.” Since that time, Elliott has taken two trips to Brazil, the first stop on his global journey. In addition to interviewing creative professionals, he spent a significant amount of time capturing b-roll that will add texture and reference to the film. Now, he’s back in the United States and will spend the next few...

Creative Cloud

Sonnyboo Podcast - Directors Cut v. Special Edition
By: Peter John Ross on Jun 24, 2014 at 4:55:20 pm

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Videoguys Summer Update, June 2014
By: Gary Bettan on Jun 20, 2014 at 11:23:34 am

It's been a very busy year for us. We've seen a ton of new products introduced and we've picked up some new product lines. HP Workstations: The creative Pro's choice http://webvideoguys.com/hp-email.html Videoguys now offers HP z workstations! We've worked hard with the folks over at HP to put together some fantastic configurations at super price points. PLUS you can give us a call 800-323-2325 and we can custom configure the perfect Z workstation to meet your video editing and production needs and workflows! The creative pro’s choice for performance • Industry-leading performance: The HP Z820 offers the latest dual-processors, high-end...

videoguys

Soldier and storyteller
By: Adobe Sponsored on Jun 16, 2014 at 1:03:14 pm

EMMY-winning U.S. Army videographer uses Adobe Creative Cloud to create powerful portraits of soldiers’ lives Robert Ham is passionate about filmmaking; he takes a video camera and tripod whenever he travels and capturing people’s stories. From 2007 to 2013, he served as an Army Combat Correspondent stationed in Afghanistan and the Pacific, where he focused on interviewing soldiers and documenting subjects ranging from close combat to the trials of PTSD. As a soldier and filmmaker, Ham is part of a cohort that dates back to the early days of Hollywood and includes such greats as William Wellman, a World War...

Adobe Creative Cloud

more Avid relinking online sequence thoughts --- metadata linking to essence --- metadata linking to metadata
By: Scott Freeman on Jun 8, 2014 at 1:11:52 pm

I am specifically looking for metadata relinking to essence and metadata relinking to metadata problems to solve. As of Media Composer|Symphony version 6.5 what metadata relinking essence elegance does one choose? Gear locking metadata to relink using a custom column. If Start timecode, duration, custom column, are a metadata match --->relink selected seems to be working. problems to solve Relink AMA clips to what were file import clips in a sequence: I am seeing with Version 7.0.4 of Avid Media Composer Symphony, I can use the relink selected command using a custom column with AMA master clips sources and with...

AMA

Filmmaker Jon Rosling’s “Five Pillars”
By: Bob Gillen on Jun 3, 2014 at 12:55:41 pm

In UK-based filmmaker Jon Rosling’s 2013 debut feature film Five Pillars, ex-soldier Darren returns from the war in Afghanistan to find himself disenfranchised by a society struggling to find its identity. Several critics commented that the societal topic is nothing new. I asked what impact he hoped to make with his film. Examining Themes About Life in England “Social realism films are not new in the UK, or any film market, to be honest,” says Rosling. “Some UK ones have made quite a few waves, Shane Meadows' This Is England being probably the most recent notable one. What I think...


scott freeman's art
By: Scott Freeman on Jun 1, 2014 at 1:39:15 pm

...

art

Fueling creativity at Coyote Post
By: Adobe Sponsored on May 29, 2014 at 12:01:47 pm

Post-production studio stays nimble with Adobe Creative Cloud Located in the historic Silver Lake neighborhood in Los Angeles, Coyote Post offers clients a range of post-production services, from editorial through to final color. Only a couple of years young, the studio has assembled a talented team of video editors, visual effects artists, graphic designers, and expert colorists. Top-notch editing suites are equipped with the most current tools, including Adobe Creative Cloud. Creative Director Martin Desmond Roe and Executive Producer Rik Michul are two of the creative minds that help deliver stunning film, commercial, and music video projects for clients. Adobe:...

Creative Cloud

Filmmaking dreams realized
By: Adobe Sponsored on May 27, 2014 at 9:51:52 am

Talented Swedish director edits first feature film using Adobe Creative Cloud and Adobe Premiere Pro CC Pablo Fernandez began his career at 15, working as a full-time graphic designer. His father owned a successful Swedish advertising agency and growing up surrounded by creativity greatly influenced his style and passion for design. By the age of 18 he owned his own production company and was experimenting with Motion Graphics and 3D. After a brief time in South America and Spain working in 3D Engineering, he returned to Sweden and turned his attention to film, commercial, and online 3D post-production work. Eventually,...

Creative Cloud

Understanding the new Licensing Options of Avid Media Composer Software
By: Gary Bettan on May 22, 2014 at 11:17:24 am

At NAB2014 Avid announced that editors would now have several choices on how they can purchase Media Composer. Avid has now released the latest version (MC8.0) in all the new licensing options. Videoguys has put together a detailed FAQ with explainer videos to help you better understand your options. This blog post is intended as an overview to quickly help you understand the differences. The key differentiators between the various flavors of licensing is the included 3rd party and Avid software. All prices in this post are MSRP. Let's start with existing Avid Editors. If you already own a version...

Avid

Writer/Filmmaker Tina Mabry
By: Bob Gillen on May 21, 2014 at 8:41:02 pm

“Audiences will always connect with universal themes explored through the eyes of real people,” says writer and filmmaker Tina Mabry. “That’s why it’s important that I make sure I remain honest to the humanity of the characters I create.” Tina Mabry heads up the Los Angeles-based production company Morgan’s Mark. Mabry and creative/business partners Morgan Stiff and Lee V. Stiff have structured Morgan’s Mark as an independent production company and editing facility that “focuses on producing films that emphasize character, and an editing facility that focuses on quality over quantity.” The company’s recent films include Brooklyn’s Bridge to Jordan, Mississippi...


Snapshots…your trashcan, on steroids
By: Steve Modica on May 19, 2014 at 8:42:53 am

I have to admit, as an old time UNIX guy that's been around inodes, fsck and corrupted filesystems all my life, snapshots sounded a little too good to be true. The word was long known to me. Customers would say, "I took a snapshot of that disk so I could upgrade it and revert if I screwed something up." It's just that imaging a disk would take hours. You'd start the copy and go home for the night. These new snapshots (like those supported by ZFS) were instantaneous. One click and you would “instantly” have a new copy of your...

storage

The Purpose of Any Movie
By: Peter John Ross on May 18, 2014 at 7:42:33 pm

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Can Hollywood Still Make Good Movies?
By: Stu Brown on May 1, 2014 at 11:24:27 am

This is a repost of an article from my website nonlinearpost.com by my son, Royce. Your comments are welcome. With All the Computers, Can Hollywood Still Make Good Movies? By: Royce Brown This afternoon I was helping a few associates in their task of painting and building a movie set for a student project and inevitably the discussion fell to contemporary cinema and Hollywood marvels. One student mentioned (a director) that the recent film "The Artist" having won the Academy Award in its respective year, was in fact overrated. "A novelty film" he adequately put it. Not having seen the...

filmmaking

Indie Comics Guru Marcelo Lewin
By: Bob Gillen on Apr 28, 2014 at 3:29:47 pm

Marcelo Lewin’s website, IndieComicsTracker.com , covers the world of indie comics. Why indie? “Because Marvel DC already have enough help from their parent companies,” Lewin says. “Besides, in my mind, the really exciting stuff is coming out of the indie scene.” I asked Lewin how the core elements of story develop in the comic book genre. “I think the most important thing that writers should keep in mind when writing a comic,” says Lewin, “is that they can tell their story via not only words (the bubbles), but also working in conjunction with the illustrator visually.” READ MORE... Indie Comics...


Avid Symphony v6.5 - v7 / Resolve v9 - v10 | framerate independent metadata relink to essence by scott freeman
By: Scott Freeman on Apr 27, 2014 at 1:34:25 pm

Avid is a tapeless beast that I want to tame. Victorious. Here is a working step by step example of my workflow-solution using an Avid Symphony Online Sequence Metadata to relink to Resolve Video Essence with Handles using MXF media files. This is an example if the User used the Avid Symphony to create the mxf media files with handles and the user would like to color correct using Resolve and then finish the online edit in the Avid Symphony all with handles. In the Avid Symphony Version 6.5-7.0.3 --- As of 4-27-2014 ---, Material Exchange Format (MXF) Video file...

Blackmagic Design DaVinci Resolve

Videoguys' 2014 Update on Thunderbolt & Thunderbolt version 2
By: Gary Bettan on Apr 25, 2014 at 1:01:09 pm

We bring you up to date on all the latest Thunderbolt news, products and developments. This guide also includes our recommended configuration for a new iMac as well as our Thunderbolt Wish List for 2014. Thunderbolt was the new, high-speed, dual-protocol I/O technology designed by Intel and introduced by Apple a couple of years ago that was supposed to set the world on fire. So far it hasn't, but with the launch of the new Mac Pros, that may soon change. Thunderbolt delivers amazing performance, with ease & simplicity. Attaching blazing fast Thunderbolt enabled storage is a breeze. Thunderbolt gives...

thunderbolt

The Black Diamond run for filmmakers
By: Adobe Sponsored on Apr 24, 2014 at 10:02:13 am

Warren Miller Entertainment keeps on thrilling audiences with breathtaking athletics, brilliant production, and Adobe video apps Many winter sports enthusiasts recall sitting in high school auditoriums or theaters on the edge of their chairs watching content from Warren Miller, a legendary American ski and snowboarding filmmaker. Miller produced, directed, and narrated his films until 1988. His talented staff continues to create iconic films about skiing and other outdoor winter sports that are renowned for their stunning photography, witty narrative humor, and impressive athletic talent. Two of the people who’ve kept the Warren Miller Entertainment legacy alive are John Barcklay, post-production...

Creative Cloud

Director/Writer David L. Johnson
By: Bob Gillen on Apr 23, 2014 at 8:48:33 pm

“I’m looking for complicated characters dealing with complicated issues.” So says director/writer David L. Johnson when asked what he looks for in a script. Recognize a Story That Moves “Personally,” Johnson says, “I have no preference. I think a lot of directors get hung up on fitting into a genre, but the greatest directors have stepped out of their box on occasion. Although these experiments don't always equate to box office success, I think it's important to learn how to recognize a story that moves and to see the potential of what you as a director can bring to that...


Working hard in corporate video—and loving it
By: Adobe Sponsored on Apr 23, 2014 at 9:41:50 am

Leah Earle and Phanta Media deliver brilliant work with Adobe Creative Cloud and Adobe Premiere Pro CC Leah Earle loves her job. As a video editor for Phanta Media in Toronto, she looks forward to going to work. Founded by Mark Drager in 2006, Phanta Media is a rising star in the corporate video universe, known for delivering great work on real-world timelines. Earle describes the 10-person company as cozy but rapidly growing, with a staff comprising business development representatives, producers, motion graphics, and video editors. Earle often works late and sometimes on weekends—and can’t get enough of it. (Most...

Creative Cloud

Videoguys' Guide (with Video) to Avid Media Composer | Software
By: Gary Bettan on Apr 23, 2014 at 6:57:07 am

Avid Media Composer | Software is now available in 3 license types making it the perfect professional editing solution for everyone. One of the big announcements at NAB from Avid is that customers will have the choice to have Media Composer their way. You can still own a perpetual license that together with an annual support contract will entitle you to all upgrades, for free, during the support contract. With new monthly and annual Media Composer subscription options, customers can now gain access to the latest Media Composer toolset, support, and upgrades. They also announced a new Software floating licensing...

Avid

Sonnyboo Podcast - Making a Movie is like Building a House
By: Peter John Ross on Apr 22, 2014 at 9:38:38 pm

...


Unexpected Disk Failures in Large Arrays
By: Tim Jones on Apr 21, 2014 at 1:37:07 pm

My team has recently gotten calls for help from a number of our customers who have relatively new disk arrays (not ours) where the disks are failing unexpectedly. I'll leave brands out of this discussion, but the average age of most of these arrays is less than 12 months. In each case where more than one array is in play, the failure seems to be most noticed in arrays of 12 drives or more compared to small, 4 drive arrays. We've been in touch with a few disk manufacturers and, while none of them have specific answers, one thought keeps...

DISK

THE STRUGGLE FOR 4K Ultra HD
By: Stu Brown on Apr 21, 2014 at 12:23:14 pm

THE STRUGGLE FOR 4K Ultra HD By Stu Brown Tech geeks love it. Cinematographers embrace it. Television manufacturers and Internet delivery systems promote it. Post houses try to ignore it. American broadcasters reject it. Studios well, um, will always find a way to profit from it before it becomes commonplace. Like the motion picture business, the content production process, and the way we receive content is changing. In addition, our viewing habits are changing as well. There was talk in the mid-nineties about a new digitized, computerized upstart that had the potential to replace film. Enter digital video. We have...

4k

Beyond the A's and B's of NAB
By: Kylee Wall on Apr 20, 2014 at 8:19:27 pm

There’s a whole big world out there in post-production-land, and most of it is pretty awesome. When I headed to the NAB Show last week(ish), part of my (personal) mission was to learn a little more about companies I didn’t know much about. Not just ask someone or read some Wikipedia stuff, but actually get to know what their missions are in post-production right now. I found that if I just went up to an industry peer and asked about Grass Valley, they’d give me a bit of “oh, they’re still around?” I mentioned to someone that I had just...

post production

Creating a visual experience for Fatboy Slim at Coachella
By: Adobe Sponsored on Apr 18, 2014 at 1:28:23 pm

Production company creates immersive experience for well-known DJ artist at art and music festival using Adobe Creative Cloud Plastic Reality is a production company known for branding and other video work for big corporate clients such as BP and Unilever. But unlike most corporate video companies, Plastic Reality has a wild side, called The Happiness Labs, focused on producing experiential content and graphics for live events and installations. In creating new realities and immersive experiences, The Happiness Labs raised the bar for British DJ, musician, rapper, and record producer Fatboy Slim at the 2014 Coachella Valley Music and Arts Festival....

Creative Cloud

#8 Welcome to the Low End
By: John Davidson on Apr 17, 2014 at 4:09:58 pm

Hi everyone. It's been over a year since we last made one of these walk through videos. There are many reasons we took so long. The first is that we've been too dang busy. The second is that it's pretty much impossible to feature the professional work we actually do in one of these as there are so many legal issues involved. Using a broadcast of cable show as part of a tutorial would basically get me sued into oblivion. I love to share our workflow - but not that much! In order to provide you with great walk through...

FCPX

Saying goodbye to a very special friend
By: Steve Modica on Apr 17, 2014 at 2:24:08 pm

Yesterday, I had to say goodbye to my dog Pete. He's been with me for almost 10 years and helped me raise my kids, chase all the deer away, and keep my house safe from squirrels and mailmen. He started feeling ill last week (while I was away at NAB) and this Friday, after several visits to the vet, we figured out it was a serious case of liver cancer, which was now causing significant pain. I thought I'd include my favorite picture of Pete, after falling asleep in the back of my truck on the way home from up...

dogs

Setting the stage for “Anchorman 2: The Legend Continues”
By: Adobe Sponsored on Apr 15, 2014 at 10:26:25 pm

Video Playback and Graphics team uses Adobe Creative Cloud and plugins from FxFactory to create period-specific news content To make the set of GNN, the 24-hour news channel featured in Anchorman 2: The Legend Continues as realistic as possible required one essential element: content. It was the job of the video playback and graphics team to fill the dozens of screens throughout the fictional studio with realistic, period-specific news. Rather than filling the screens in post production and using archived news reports, the team produced nearly all original content and fed it to the screens in real time. News reports...

Creative Cloud

What’s missing from today’s tech based editing
By: ron sussman on Apr 11, 2014 at 5:26:17 am

(this is a re-publish of a blog article I wrote for my personal web page) When I was starting out in post there was a clearly defined road one took to becoming an editor. These were the last few years of cutting film on a 35mm flatbed and my experience was limited to the commercial world verses the TV or feature world, but there were basic similarities to the path one took. To begin, lets jump forward to today. What does an assistant editor do in today’s computer based, digital editorial world? They have been relegated to the machine room...

Editing

NAB Day Whatever - New Perspectives on Old Business
By: Kylee Wall on Apr 10, 2014 at 3:58:32 pm

With the show wrapping up and my body shutting down, I've been thinking about the stuff I've seen and people I've talked to at this year's show. This is the first year I've been covering the show in a full on press capacity (meaning sitting down with a number of vendors to get the story straight from them) and it's been great fun. It's also offered another perspective to me as a show attendee, maybe the clearest one about the industry overall I've had so far.  This is my third NAB. My first year was a learning experience where I...

nab show

Producing content for the largest sports show on earth is no small task
By: Adobe Sponsored on Apr 9, 2014 at 9:43:49 am

An ambitious content delivery goal will be met with a workflow featuring Adobe Premiere Pro CC Pulling off the broadcast of the largest sports show on earth, spanning nearly a month’s worth of content, is no small task. HBS, the dedicated host broadcaster for one of the largest sporting events in the world, has contracted EVS and Moovit. EVS will provide for the central Media Asset Exchange Server located at the International Broadcast Center (IBC) and all editing workstation will be supplied by MoovIT. Central to the editing workflow is Adobe Premiere Pro CC, which will help editors quickly turn...

Creative Cloud

Sonnyboo Podcast - Promotion
By: Peter John Ross on Apr 8, 2014 at 9:20:19 am

...

promotion

NAB Day 1 - Throwbacks
By: Kylee Wall on Apr 8, 2014 at 8:15:23 am

The running gag on the show floor yesterday was a punchline to the effect of "AND we're releasing a camera!" If that kind of humor isn't your thing, then I can't really recommend you come to NAB for real. But even with all all the hooplah about new cameras and such, a couple things that stuck out to me today are throwbacks. The last few years in particular, I feel like there's been a push toward the nontraditional -- NLEs doing weird stuff that grumpy dudes hate, cameras turning into little boxes you can't actually handle, that kind of stuff....

nab show

NAB Pre-Show Buzz -- or lack thereof?
By: Kylee Wall on Apr 7, 2014 at 1:25:18 am

So yeah, if you haven't guessed by the articles you might have seen with my name on them or the NAB show guide and all that, I'm here in Vegas for my third NAB. My brain hasn't really caught up to the idea yet, so I've spent much of the weekend walking around in a daze. I think it's starting to settle in though, and just in time. No matter what tomorrow brings, I'll be on my feet a lot -- my poor feet that already have a blister. Damn you, shoes. I was at the convention center and other...

nab show

It's the Most Wonderful Time of the Year!
By: Dennis Kutchera on Apr 4, 2014 at 4:49:17 pm

For tech nerds like me, A week at NAB is like a trip to Disney World for a Kid. It's one thing to read about what's new or watch a video stream from the show floor, but there is nothing like being there and putting your hands on new and up-coming products. As a lover of all things post-production, this will be my main focus. I want to find the ultimate cost-effective, efficient and bug-free tapeless workflows for television post-production. But I may have to settle for 2 out of 3. Good is not always cheap. There is more to...

NAB 2014

Recreating reality with visual effects
By: Adobe Sponsored on Apr 3, 2014 at 1:25:31 pm

Seamless visual effects for The Wolf of Wall Street created with help from Adobe After Effects CC and Adobe Photoshop CC Paul and Christina Graff of Crazy Horse Effects (CHE) are visual effects aficionados, with projects to their credit such as There Will Be Blood and Life of Pi . They also work with a team of some of the best matte painters and designers in the visual effects industry, and are recognized for their award-winning compositing. They recently created some seamless visual effects for The Wolf of Wall Street , directed by Martin Scorsese, with Oscar-winning VFX supervisor Rob...

Creative Cloud

Expert filmmaker builds online community
By: Adobe Sponsored on Apr 1, 2014 at 9:13:45 pm

Pioneering filmmaker Ryan Connolly shares his passion for Adobe video software After graduating from film school, Ryan Connolly started out in a fairly typical fashion: creating music videos and commercials for local clients. He then went on to run the video studio at PC game company Alienware. But rather than continue following the typical path of many aspiring filmmakers, Connolly came up with the idea to create Film Riot, an online show that would let him share how-to filmmaking tips, get feedback on his work, and ultimately build an audience and a community. Today, his renegade style has earned him...

Creative Cloud

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